Stop thinking about art works as objects, and start thinking about them as triggers for experiences. (Roy Ascottās phrase.) That solves a lot of problems: we donāt have to argue whether photographs are art, or whether performances are art, or whether Carl Andreās bricks or Andrew Serranosās piss or Little Richardās āLong Tall Sallyā are art, because we say, āArt is something that happens, a process, not a quality, and all sorts of things can make it happen.ā ā¦ [W]hat makes a work of art āgoodā for you is not something that is already āinsideā it, but something that happens inside you ā so the value of the work lies in the degree to which it can help you have the kind of experience that you call art.
~ Brian Eno
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Agathos Daimon, the Good or Rich Spirit”.Ā HisĀ numinous presenceĀ could be represented in art as aĀ serpentĀ or more concretely as a young man bearing aĀ cornucopiaĀ and a bowl in one hand, and aĀ poppyĀ and an ear of grain in the other.Ā The agathodaemon was later adapted into a generalĀ daemonĀ ofĀ fortuna, particularly of the continued abundance of a family’s goodĀ foodĀ andĀ drink.[citation needed]
“Scientists know that electromagnetic waves carry information. Radio waves are a common example of how information is sent out via electromagnetic waves. The waves that your heart and brain generate carry information that is sent through your body and out into the space around you, just like a radio transmitter. Yet the heartās signals have much more power.” – The HeartMath Story, as Told by Founder Doc Childre
Iāve heard it said that the soul doesnāt live inside our body but that it is more like a womb in which we are contained.
Turner, Toko-pa. Belonging: Remembering Ourselves home (Kindle Locations 2739-2740). Her Own Room Press. Kindle Edition.
“This disco guy wanted funk in our sound with 10,000 backing vocals, the guy laughed at Tony when he tried to sing, they treated us like shit. Casey wanted to hit that engineer dick…Posh Boy told us not to play games with him, he’d play games with us. That engineer was a real dick.”
~ Steve Soto ADOLESCENTS
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In our over psychological culture, psychological testing substitutes for this seasoned eye and prevents its development. Instead of looking, we test; instead of imaginative insight, we read write-ups; instead of interviews, inventories; instead of stories, scores. Psychology assumes it can get at character by probing motivations, reaction responses, choices, and projections. It uses concepts and numbers to access the soul, rather than relying on the anomalous eye of a practiced observer.
Hillman, James. The Force of Character: And the Lasting Life (Kindle Locations 844-847). Random House Publishing Group. Kindle Edition.
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It is the prime task of a truly modern mind to endure both the spiritual and the practical as the framework for her life.
Johnson, Robert A.. She: Understanding Feminine Psychology (p. 80). HarperCollins. Kindle Edition. __________________________________
Mysterious in day’s broad light,
Nature retains her veil, despite our imprecations,
and what she won’t reveal to human mind or sight
levers, screws or hammers
cannot wrench from her. ~ Goethe
Faust part 1
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Writing has laws of perspective, of light and shade just as painting does, or music. If you are born knowing them, fine. If not, learn them. Then rearrange the rules to suit yourself.
~Truman Capote
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“And just as the soul that is inside your dust.”
~ Pg 8 The Divine Comedy ~ Dante
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“I always liked the intensity of the recording.”
~ Chris Bailey from the band The Saints
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“Sometimes people try and tell me what is and isn’t punk, or that GBH do or don’t fit in, but they’re generally no older than my socks, and they know about as much. I’ve lived my life doing what I want the way I want to ever since I got expelled from school. Ever since 1977….That’s punk rock”
~ Ross Lomas: From his Book City Baby.
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“As I was walking among the fires of Hell,
delighted with the enjoyments of Genius;
which to Angels look like torment and insanity.
I collected some of their Proverbs. ”
~ William Blake, “The Marriage of Heaven and Hell”, 1790
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