My dilemma

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a young HUD

On the path to Senior Punk Advisory from the world of a past nobody punk

Recently I was approached by Dave Grohl who is putting out a documentary about traveling bands. His media person approached me very forcefully. She wanted to license material that I may or may not be able to license. She did not want to take no for an answer. So, for fun I gave them the run around stating if they interview me in the documentary, I could talk about the image they wanted. They have not gotten back to me. Again, they want the material and not my experience or friendship.

This is my dilemma. Currently I find filmmakers, documentarians, and authors approaching me for information from my past. They seem to want to approach me as a friend, but often are only interested in sharing my history, licensing past material that was my hard work. I see it as they want to gather as much information from me, squeeze me like a lemon, and then push me aside. They put out the documentary, book and may exclude me as a source, edit me out or not pay me anything. I see them promoting their documentaries and books, yet they do not invite me on the expertise promotional panel. I feel like their gopher.  

I am perplexed on how to own myself from this process by saying no to them now. I have come out with self-published books to tell my story. The same people who want my information do not seem to want to support my products.

I consider my ten years of experience in the underground music world as valid. It must be because I was just approached by three people this week. I already documented the material they want years ago.

I just do not want to give myself and my information away so freely anymore. I have been burned and devalued a few times.

Yet there is also the part of me that wants to share in the full story that they are pursuing. I do want to promote my books. Yet the material they ask me for, may or may not be, copyrighted. I cannot give them permission to license some of the material they are asking me for.  Many staph people contributed to the work I was involved with. I did co-own a past publication, Los Angeles Flipside Fanzine that included records and live music video tapes and radio DJ tapes…. but at the time we did not believe or practice copyright laws.

I am perplexed and overwhelmed and simply do not know what to do. I do not want to hide my head in the sand I like sharing my story.

Do I state clearly that I charge a fee for all my words no matter how and where they are used? Can I consider myself as a Senior Advisor with publishing rights for all my shared material? Can I, is it feasible, set up a legal form stating that if you include my work that you must also include me as a credited source and have me on your promotional panel of experts?

Author: Hudley Flipside

Welcome to Hudley Flipside’s “The Seminary Of Praying Mantis Publishing.” Praying mantis shows me her story of life, death, and rebirth. For me she is an image or symbol of the divine in all things. I watch the praying mantis in my garden and have taken her image as my logo. She is an amazing little creature, and I relate to her connection to nature. We are both wild and part of this strange world. She is a part of my mythology as I am part of hers.

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