A feminine soul to be precise


I have taken my pearl watercolor and moved the painting into the living room near to the right of my hearth. Today I was reading some interesting words that brought to life this image. It is amazing to me that sometimes one is inspired to create an image from a narrative and finds this image in another narrative. They built upon each other bringing both narratives together with even greater meaning because both are weaving together. Forming an alchemical experience in me. As well as all of us… a path to peace maybe?

This is a more ambiguous but possibly more productive way of looking at matter and may be applied to Taurus and the second house. Following this thread is unquestionably like plunging into a labyrinth for what eventually emerges is that the second house has nothing to do with objects at all. The “pearl of great price” appears to lie at the heart of the labyrinth, but the persistence of a Taurean is required to reach it. The placement to find this central and unalterable value whose definition cannot be properly articulated but whose reality, to the man who has subjectively experienced it, is not to be questioned.

Pg. 40 – 41. Saturn A New Look at an Old Devil / Liz Green.

Pearl watercolor by Hudley

The Pearl by Hudley

Original post.

Now having passed over this lake in this way, we first went through a narrow arm, into the right seas, where all the sirens, nymphs, and sea-goddesses were waiting for us; wherefore they immediately dispatched a sea nymph to us to deliver their present and offering of honor to the Wedding. It was a costly, great, set, round and oriental pearl, the like of which has never been seen, neither in our world nor yet in the new world.

~ Pg. 62 The Fifth Day the Chemical Wedding of Christian Rosenkreutz

A watercolor inspired by a strange story. Haunting me in a symbolic world. As a woman I tend to go wandering for things to help my psyche. A feminine soul to be precise. So often in this world today everything is based on the male soul or male journey.

Even in my beloved Red Book by Carl Jung I always remember to participate as a stranger in his world; it is a journey of a male. I must hold the hand of my own animus too when I take these symbolic journeys. I feel it is important for women to know this and do this.

Animus is the archetype of reason and spirit in women. This is the male aspect of the female psyche, as the anima is the female aspect of male psyche.”

While reading from The Red Book a few days ago I came across the Imitation of Christ by Thomas à Kempis. I know the book and have studied it. Yes, I understand what Jung is saying but it does not appeal to my sensibility. So, I went looking, is there an Imitation of the Goddess?

I have come to see that the journey of Christ is a patriarchal one. I respect this yet have reached a point where I must refrain from this. What came to my mind today is this small watercolor I did years ago. The Chemical Wedding of Christian Rosenkreutz has a wonderful image that I grasped and is very friendly to my female sensibility,

“where all the sirens, nymphs, and sea-goddesses were waiting for us.”

Which is why I often capture art before I fully understand its meaning. Today I do. I hope I can inspire other females to take such a journey like mine and help their psyches!

A feminine soul to be precise. I know this story holds both something for the animus and anima. It indeed symbolically speaks of a wedding or bringing together of both the animus and anima within each of us. It is bringing together opposites.

The Chemical Wedding of Christian Rosenkreutz begins with a lovely image. A star above two figures; a male ~ the sun and a female ~ the moon. This may be uniting both together with the bird of peace, the place where one may find the Holy Grail. I believe to found within our heart. It is another lovely image to ponder.


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Reflection/ Notes

Jung’s alchemical studies were derived, in part, from the works of Gerhard Dorn, a 16th-century alchemist. In “The Conjunction,” Jung Wrote, “Dorn’s caelum, which corresponds to the stone, was on the one hand a liquid (blue) that could be poured out of a bottle and on the other the Microcosm itself.

For the psychologist it is the self-man as he is, and the indescribable and superempirical totality of the same man.” (CW 14:765) In Jung’s same essay published in Mysterium Coniunctionis, Jung describes caelum  as a heavenly substance containing all distinct forms and simultaneously the ultimate universal form; it symbolized a prefiguration of the soul. Jung also associated caelum with the blue center of Eastern mandalas. (CW 14:757)

The caelum and its function in alchemy, as inviting as they are, provide an avenue for further study. Jung further contended in the same essay, “Man himself is partly empirical, partly transcendental; he too is a (stone that is no stone). A “stone that is not stone” reflects Jung’s earlier experience with active imagination (also called trancing), where he (Jung) is sitting on me (stone).

From this perspective the pearl held within the black stone as the archetypal equivalent of a “stone that is not stone.” The human parallel implies that consciousness lies within the human body and that ‘the human heart is more than a blood pump.’ Like the pearl encased in stone, the heart is at the center of consciousness, which emanates from the divine.

~ Unveiling Sophia/ Heart Wisdom In An Age Of Technology by Anne Elizabeth Taylor