Category Archives: PUNK NO-stalgia :Punk Rock

Taking the back door into UCLA or remember sneaking in the bathroom window to get into shows for free?

I did not know that this two-day event was the first of it’s kind at UCLA. Yet I naturally follow Joe Strummer’s advice, which is to move naively into things. I think of this as letting the essence or spirit of an event unfold as it may. This is how I fell into punk rock. The right place at the right time. It was synchronicity and all that unconscious revealing by focus and experience.  For me, as others, it was the first note of a song. The guitar riff or bass depth and drums ripping though my spine. It made me wake up!

I wanted to attend the full event but didn’t because of my bad back and family responsibilities. I attended the full event on Saturday. I made as many of the sessions as I was able to. Each session inspired me to see from a different perspective. Some of the panelists are very academic. Their blending punk with thesis was a challenging reality for most of them. Also, the need to archive punk, in general, was something that challenged all of them. I have questioned this one myself. I was hoping that by being here that some of my questions might be answered. Their augments are satisfactory. Over time, I will consider all of them.

IMG_1119

Session 2B ”Punk Epistemologies, 9:30 to 10:30 AM was my first session to focus my mind on.  I listened actively to Sarah Gelbard speak about punk as being “neutralized,” or “ask a punk,” and “ask a punk academia.”  She is a PhD candidate. She defines herself as a punk planner and architect. A punkarchitect! She said the Academy, conformity to institutions or university, does reject her feminist and or punk attitude. The title of her presentation, “Ask a punk: from informality to anti-formality and anti-authority and when to say fuck.”  I felt an irritatingly shy stirring in her that filled the room. I have not felt that feeling for some time. Her integrity and honesty moved me. She mentioned story telling may be a type of approach to her chosen field of study.

Robert Haworth was next, and his theme was on” radical learning spaces.” As an educator and practicing anarchist he shared some biographical stories about his punk rock experience. A theme that ran throughout his talk seemed to focus on building character. How society and educational (Academy) focuses a type of expendable economic character that forms our children. He mentioned a good book to study by Emma Goldman, “The Child and its Enemies.”

Session 5B: Punk Political Economies presented three panelists. What came forth here is that “We should consider continuing to support the cracks.” I enjoyed Kathryn Heffner speaking about women fanzine publishers of science fiction writing. Briefly I can say that I learned about the history of fanzines. She talked about the community formed by fanzines and how they communicated. It is about women and resistance. My heart about jumped out of my chest. She defined so many elements of what a fanzine is all about. It is about community, friends, and a subject.  The punk scene is about friends and the continuity of friendships over time. I did not hear much about this at this conference!  Kathryn did tell a short story about a sister zinester who misspelled a word and made a whole movement out of it. I about jumped up and screamed hallelujah. The point being that with fanzines the information is current and was often printed up quickly to spread like a good wild-fire of communication. I knew this to be true.  Her talk gave meaning to my community. We need to keep writing and self-publishing.

The final Session 21B. Decay, Ruins, Dystopias was very enjoyable and academic. S. Mark Gubb: “God So Loves Decay,” is an unusual perspective on achieving punk material. He is a PhD candidate. Simply put he had a friend read lyrics as punk poetry, UK Decay, in front of beautiful architecture in London (England… there abouts?). This is presented as performance art. My insight into what he said is that the archiving of punk repertories can inspire others to be creative. Taking archived material and recycling its essence to a new generation to use creatively.

IMG_1117

The Lyrics of UK Decay, Performed by Russ Crimewave

Michelle Gonzales presentation made a strong comparison between George Orwell and Joe Strummer. Her brief history of punk, music and films as influencing a generation of punks is a bit superficial to me. Yet her argument was sound and interesting. I noticed how she compared their lives and their life long intentions. As she suggested, I am going to Goggle the best of Utopian literature and do some reading. An honest look and what can move someone! A book and or a song.

Overall, I did not include everything from this punk academy conference. Yet in general I had a great time. My impression is that archiving punk is a very sound perspective and a reality for some such as Slash Magazine and Maximum Rocknroll. I am not sure If I am ready yet to turn over my stuff. (as a friend said to me, “Take it out of the dusty garage” or something like that ) Time will tell.

IMG_1121

Mixing the Academy and lived PUNK culture is a concept like a giant punk rocket filled bulging with repertories of sight and sound. A giant punk rocket to the future that explodes into the sky like a fucking loud scream to a new world of fireballs and resistance…. women indulgently included!



 

In moonlight
Danced through the night
Dancing in the white light
Freedom from conditioned trance
So stand so grand in decadence

And the white light
Danced through your stomach
Pulls tight
Tight pulls the chords of your empty heart

In decadence
The dance of decadence
Defiant stance - a new decade
Of decadence
Realise your personal destiny
Fighting the fat and prosperous
Brood of mediocrity
Once safe in its prosperity
Now burns
In decadence
The dance of decadence
The cry of truth - a state of mind -
Call it youth

Take up your part in the play
Decapitate the day
White eyed - hatchets high - luddite like
In decadence
Decadancing - you can be your own king
You can be your own king
In the dance of decadence
Deca-deca-deca-decadance

1 – 16 Los Angeles Flipside Fanzine Covers

This slideshow requires JavaScript.

Doing some research and writing and thought I would add this to my site… goes well with the other gallery Flipside Fanzine Covers I have up here.


Flipside Issue 1

First Issue issue sold through the mail was to Kristian Hoffman (from the Mumps) ~ Pooch

DATE: August 28, 1977. FORMAT: 8 1/2×7” Xerox PAGES: 20 PRICE: $.25. PRESS RUN 100 STAFF: AL, Lash, Tory, Pooch, X—8.

Flipside Issue 2

DATE: Oct. 1977. FORMAT: Shitty offset, 7×8 1/2″ PAGES:20 PRICE: $.25. PRESS RUN 200 STAFF: AL, Lash, Tory, Pooch, X—8.

Flipside Issue 3

“ART SCHOOL ISSUE”

DATE: Nov. 1977. FORMAT: Xerox, 7×8 1/2″ PAGES: 20 PRICE: $.25. PRESS RUN 100 STAFF: AL, Lash, Tory, Pooch, X-8.

Flipside Issue 4

DATE: Nov. 1977. FORMAT: Offset, 7×8 1/2″ PAGES: 20 PRICE: $.25. PRESS RUN: 300 STAFF: AL, Dean Ded, Larry lash, Pooch, X—8.

Flipside Issue 5

ISSUE # 5 DATES: December 1977. FORMAT: 7×8 1/2″, offset PAGES: 20 PRICE: $.25. PRESS RUN: 300 STAFF: Al, Dean Ded, Larry Lash, Pooch, X—8.

Flipside Issue 6

DATES: January 1978. FORMAT: 7×8 1/2 PAGES: 20 PRICE: $.25. PRESS RUN: 400 STAFF: Al, Dean Ded, Larry Lash, X-8, Pooch.

Flipside Issue 7

DATES: March 1978. FORMAT: 8 1/2×11″ Offset PAGES: 16 PRICE: $.50 PRESS RUN: 400 STAFF: Al, Dean Ded, Larry Lash, Pooch, X—8

Flipside Issue 8

DATES: May 1978. FORMAT: 8 1/2×11″ Offset PAGES: 16 PRICE: $.50 PRESS RUN: 500 STAFF: Al, Pooch, Dean Ded, Lash, Gaby, Pete, X—8

Flipside Issue 9

DATES: August 1978. FORMAT: 8 1/2×11″Offset PAGES: 16 PRICE: $.50 PRESS RUN:500 STAFF: AI, Pooch, X—8, Pete, Gaby

Flipside Issue 10

DATE: November 1978. FORMAT: 8 1/2×11” Offset PAGES: 16 PRICE: $.50 PRESS RUN: 400 STAFF: AI and X—8

Flipside Issue 11

DATES: November 1978. (Flipside Calendar for 1979) FORMAT: 7 1/2×5″, offset PAGES:28 PRICE: $1.00 PRESS RUN:500 STAFF: Al, X-8, Gerard, Gerber

Flipside Issue 12

DATES: January 1979. FORMAT: 8 1/2×11, offset PAGES: 16 PRICE: $.50 PRESS RUN: 500 STAFF: Al, X-8, Angola

Flipside Issue 13

DATES: January 1979. FORMAT: 8‘1/2×11, offset PAGES: 24 _. PRICE: $.75 PRESS RUN: 500 STAFF: AI, X—8, Angola

Flipside Issue 14

DATES: April 1979. FORMAT: 8 1/2×11, offset PRESS RUN: 700 STAFF: Al, Nate, Jill, Paul Problem, Lois, Angola, Gerard, and X—8

Flipside Issue 15

DATES: July 1979. FORMAT: 8 1/2×11, offset PAGES: 24 PRICE: $.75 PRESS RUN: 800 STAFF: Al, Jill, Paul, Angola

Flipside Issue 16

DATE: October 1979. FORMAT: 8 1/2×11, offset PAGES: 24 PRICE: $.75 PRESS RUN: 1000 STAFF: AI, Paul Problem, Jill and Hud (cover)


Denis, Pat and Mike, The PUNK HUB MASTERS

THE PUNK HUB MASTERS

My talk today is a comparison essay about three characters from the early punk rock scene.

A Punk Comrade GHOST Special.

Dennis Danell original bass player for the punk rock band Social Distortion, Pat Fear singer and guitar player extraordinaire of the mockery punk band White Flag, and Mike Conley singer of the popular  punk band MIA. I call them the PUNK HUB MASTERS

To move my essay into the realm of where I am looking from, I will be using a concept from my favorite psychologist Carl Gustav Jung. Now for a short Jungian psychology concept…

“The specific role of the archetype in synchronistic phenomena seems to be to serve as the constellating hub of a situation across time,and to be the factor of [inner order]  that gives this distinctive set to the situation.”

Punk rock is a phenomenon which created a situation of order as a constellating hub. A hub is a focal point a center around which other things revolve from which things radiate. I am applying this concept to the origin of punks and to punk rock…

We were nobodies of the underground, sitting on a youthful explosion, that was a rip-tide of good-fella punk friends. The early individual punks found each other through the hubs we created. Back in the late 70s and throughout the 80s, as you know the punk scene created a network of hubs that worked independently from each other, yet depended on each other to sustain the punk scene.

Examples of hubs were Fanzines such as We Got Power or Flipside Fanzine. Also, every punk band had its own hub. Record labels, music recording studios and record store hubs. The major places to make the scene!  Such as Licorice pizza, ZEDS, Tower Records and Moby Disk Records and our own Whittier Record hub Lovells Records.  Without forgetting the college and underground radio program hubs where the innovative music played. These were the greatest of supportive hubs such as Pat Hoed’s Adam Bomb (KXLU), Stella Stray POP and Rodney on the KOQ.

The major hub that brought us all together was an amazing force know as gigs. The garage to Club 88, the Masque to the Whisky A go go and beyond. Where the fans, bands and promoters met!

The focal point here was the paper flyer. These papers were handed out at gigs. Unique band flyers with local and logo band art. Mostly Xerox copies. Xerox machines a revolutionary major hub for the punk scene.  The US Mail and the ring ring telephone press buttons or circular dial extenuated the positive communication hub…remember? Punks spent a great deal of time alone…creating, practicing, and thinking in our own hubs! Coming together via shows, the phone and the mail.

This is where the hub masters such as Denis, Pat, and Mike were found. They shined there. They masterly brought all the HUBS together. These three punks were genius hub masters. Networking was their punk underground gift and they are authentic examples of the early punk rock phenomenon.

Dennis, Pat, and Mike are a part of the Southern California punk scene. They influenced a generation of fans and often are not known or acknowledged for their influence.

They infected my little hub of a bedroom converted into a fanzine office. I often felt overwhelmed working on Flipside and under a big wave of stuff always about ready to crash. These guys showed me the skills of synchronizing things together. Making it seem easy.

Number one Punk Hub Master: Dennis Danell

I first saw Denis when I was living with my sister in Fullerton Orange County. It was 1978. I was working at a local Dry-Cleaning Business as a cashier. Staffing on Flipside Fanzine on the side. He was riding a sting-ray bike sporting a spike haircut. At that time is was unique. We were speaking the same language. I looked similar with my partial shaved hairdo with orange hair color. A year later we met at the scene and become friends.

Dennis taught me loyalty of friendship. I witnessed his expansive heart that made his band stay tight. This is the work of the hub master. Denis still visits me in my dreams. Always polite, honest, and his happy Dizzy self. He had the ability of synchronizing punks together in a charming way. He will not ever be taken for granted. He was at the right place at the right time.

I will read some quotes from Flipside 20 A Social Distortion interview. I feel these short quotes embrace his character.

“Denis: We wanna sound like no one else, We wanna sound like us!!”

“Denis: Tommie’s chilly burgers. I ate one of those and didn’t have to eat for 2 days and I was shitting for 3 weeks!”

Second Hub Master: Pat Fear.

As you know Pat was a force to deal with. He lived in Riverside which was not far from Whittier Ca where Flipside Fanzine was based. Flipside put out a few music vinyl fanzines on Flipside / Gasatanka Records.

Pat was the hub master and helped bring it all other. Was it only a few years ago I argued on Facebook about his hate for Sahara Palin? I would ask him to slow down and redirect his energy. White Flag played a show with the Simpletons around 2008. They played a Saints Song, Demolition Girl. A nice dedication to me. Yet that was Pat… he always tried to make his friends happy. He was humorous in an irritating and funny way. He had the gift of inclusion. He is a constellating hub across time which brings us all here together today.

I will read some quotes by White Flag Tape 6 Flipside Music Fanzine. I will try to read them the way White Flag said them. Pat Fear’s high degree of sarcasm.

This is a White Flag moment.

“What is the purpose of White Flag?”

“To create an illusion of creativity. Because we are too good to be believed.”

“White Flag is a band that’s done everything done before… but better.” “There are two kinds of people in the world, people who are in White Flag and all those who wish they were.”

“White Flag is more than just a band it is a concept of how to live your life.”

“We look like women, talk like men, and play like mother fuckers. (twisted sister quote.)”

Pat wrote a theme song for our video fanzines. I’d like to share a short description from our catalog describing the beginning of Flipside Video Number Two,

“Now if you want to see the good old video monster in action you just got to catch this video. So, if you get it, and put it in your VCR, you might just die. Because the opening Flipside Video Number Two is the band White Flag. Gutsy and pure, Pat Fear will knock your block off while he plays guitar for the opening theme song called “Flipside” with backup singers including some Redd Kross members and one Bangle member …”

Third Hub Master: Mike Conley

Mike originally came from Las Vegas and then stationed his band MIA in the Orange County beach area. He brought punks tighter together. He did this at parties, gigs or at the Flipside House. He could wheel and deal the punk zone. Back stage Mike would make me laugh. He would follow me around saying,

“Want a cocktail, Hudley,” while rolling his eyes round and around. Just like Groucho Marx.

In 2008 when editing my memoirs about the punk scene I came across some Mike comments in a Flipside Fanzine Interview with his band. Unbelievably I received a call at that moment from Nike Adams, a member of MIA, telling me of Mike’s demise.   A week later at his funeral his oldest daughter told us a short story.

She said that when they were traveling in his car her dad always had the music on too loud. She told him he could use head phones like everyone else. He never did. That’s punk.

I will now read another short quote from my Punk@lullby Journal Number Four.

From the Pogo to the Slam Pit

Recently, at a benefit show for the passing of Mike Conley of M.I.A., a slam pit broke out at the Detroit bar in Costa Mesa. After about 19 years my natural feelings of irritation and perspiration filled with moisture above my brow. In the past, the slam pit became a testosterone-filled ring of jock bodies circling round and round before the stage. Bouncers and bands tried to control it.  They could not stop this wildfire. I grew to hate it. Yet, the recent show again proved me wrong. There were some women but mostly men dancing around having a great time. Yes, their firm bodies now had become a little soft around the edges, as one middle-aged guy stopped and said to me, as if Mike Conley for one moment materialized,

“…enjoy this moment, it is the best time of your life!”

This guy was beaming with youthful glee.

Flipside produced one of MIA’s albums entitled After the Fact. I will read lyrics from a song that Mike wrote. A Quote from the Song, Whisper in the Wind,

“In my eyes you’ll see a thousand memories He said stare into my soul All of me you shall know Live your life full, live your life free, Tomorrow’s but a vision, Yesterday is a dream…”

Mike had the quality of inner order. A quality of depth and control that was not always easy to access.

This concludes my essay on three punk rockers of the early Southern California Punk Scene. The Denis, Pat and Mike I knew were extraordinary. They were our friends!

They are the Punk Hub Masters!


(I presented this at Pat Fear and Other Stories~ December 3, 2017 )


For more punk rock reading pleasure you can buy my DIY Punk@lullaby Journals One through Four at the link below. 

https://hudleyflipside.com/my-shop-get-my-weird-stuff-here/

 

 

 

 

PUNK@LULLBY DIY Journals one-four.


My Punk@lullaby Journal One

Buy Now Button

img_0012

 

8 1/2 by 5 1/2 Booklet. Beginning Journal of a punk rock chick from the San Fernando Valley who became a co-editor and publisher of the underground punk Los Angeles Flipside Fanzine 1979 to 1989.


My Punk@lullaby Journal Two   $6.00

Buy Now Button

img_3296

8 1/2 by 5 1/2 Booklet. The continuing memories of the early punk scene as well as Hudley’s life and adventures. The next journal three will be out in Mid-April 2017.


My Punk@lullaby Journal Three  $6.00

Buy Now Button

8 1/2 by 5 1/2 Booklet. The continuing memories of the early punk scene as well as Hudley’s life and adventures. Drugs and foolish love Issue. More to come out…


My Punk@lullby Journal Four

$6.00
Buy Now Button

Copy number four cover

8 1/2 by 5 1/2 Booklet. The continuing memories of the early punk scene as well as Hudley’s life and adventures. The tape recorder Issue. I dedicate this issue to the one and only tape recorder we used at Los Angeles Flipside Fanzine. On the cover is one of my favorite pics of the early punk scene with Subhumans (Canadian Band) and Samoans. Greg Turner, Metal Mike, Wimpy, Hud, Gary and Jim. I am holding Flipside’s tape recorder. Picture by Al Flipside.

The last journal


What Noisy Cats We Are…

Lewis McAdams: In those days cool was a survival mechanism.

I made a mistake. I thought the cover was of Bob Mould of Husker Du but instead is Ed Crawford, aka ed fROMOHIO from Firehose. Thanks goes to We Got Power: David Markey. Makes sense to me…

Big Frank asked Al if I was on the cover of issue number 50. He seemed a bit bugged. Al said no that is ed fROMOHIO of Firehose, they have an interview in the issue by Jon Mastumoto. It was our July 1986 issue. Purple cover ta boot. I saw no resemblance besides being a Noisy Cat.  We were pleased with the cover.

Comrades of fanzine Ink Disease put up their interview with, “the Du” and so I felt a need to join in today. So many bands, fans, and contributors galore. Like I said before, there were many hands in the cookie jar. When we lose a friend from that tight matrix of friends of the punk scene we naturally mourn our loss, but we also share in their brilliance! When they lived with us on this short earth adventure. Wild music and rebellious dear friends, Grant Hart you are one of the cool guys.

SW LAUDEN: We exchanged our work…

Last Sunday I met up with an author S. W. Lauden who told me he became a writer because of his first  published item in Los Angeles Flipside Fanzine in the mid ’80s. It is good to hear inspirational stories. I was happy to know that. A nice continuity even though I did not guess that punk rock would find me at an event dedicated to Lewis McAdams in celebration with Friends of the Los Angeles River.

 

People talk about anarchy
And taking up a fight
Well I’m afraid of things like that
I lock my doors at night
I don’t rape, and I don’t pillage
Other peoples’ lives
I don’t practice what you preach
And I won’t see through your eyes

You want to change the world
By breaking rules and laws
People don’t do things like that
In the real world at all
You’re not a cop, or a politician
You’re a person too
You can sing any song you want
But you’re still the same

I can’t think of anything
That makes me more upset
People talk all this rhetoric
Forgive but not forget
I don’t rape, and I don’t pillage
Other peoples’ lives
I don’t practice what you preach
And I won’t see through your eyes

The early punk scene

“It was bound to happen, with so much media coverage of ‘punk’ fashion’ Time, Newsweek, New West etc.… well the punk fashion show was held at the Palladium you all know the story…”

Flipside Issue 4 Nov. 1977, Press run 300, 25 Cents.

Terry was scary and hardcore, before the term “hardcore Punk” became a cliché.

Devo, Blondie, and my favorite The Avengers played this gig. 1976 to 1979. Those years flashed by, It was during this time, during my metamorphosis into becoming a punk; I remember a couple of times I met Terry. First time was at the Punk Fashion Show….

Looking forward to speaking this Sunday…

19665439_10155712750707780_8841407387159259431_n (2)

https://www.facebook.com/events/810875865754408/

My Punk@lullaby Journal Four Is Now For Sale

Los Angeles Flipside Fanzine is not forgotten. 

Copy number four cover

This was my concern in 2004 when I began my memoir about the punk scene I was passionately involved with.  That Flipside Fanzine would be forgotten. How many punk rock books are now being sold today that mention Flipside? Enough to satisfy me. My Punk@lullaby Journals, one through four, are part of this memory. As I repeatedly say, “There are many stories from the big punk rock. Mine is just one of them. Mine is a complimentary edition to read alongside the big punk rock books out there!”   My Punk@lullaby Journals share in the tapestry of the whole worth of what the original Los Angeles punk scene was and has now become! Yes, I have heard the echoes of “another old punk rock story.” This is ok for me to hear now! I can ”transform it into something of value!”  It is good for an elder to share stories about life. This is an ancient archetype that I have taken on.
I did approach others to have my book published. I answered my need to publish it by doing it myself. All that I leaned from the original punk scene was available to me. My mind and soul, a computer and printer and a bedroom converted into an office. The integrity of Flipside Fanzine shines through these little numbers I call journals. All four journals I published myself. I’m happy! As I move into turning 60 I’ve done something of value by completing my project. I now share my journals with the public.  I was close to 30 when I left the original punk scene! That terrifying year was 1989. Yes, all that first Saturn return and second Saturn return jazz is happening as I write this post now. A continuity that I also share for those that study the oldest of synchronicity wise sciences.
My stories are not perfect stories. If you desire to buy one, or all four, I hope while reading and reflecting on my stories you will find some good values for yourself.  It was an extraordinary time and we were wild free journalists documenting a scene. No one told us what to do. We were punks publishing a punk ‘zine. We were running with a tight but growing punk scene. Nobodies of an underground culture. All individuals were unique yet part of a community of rebellious friends. I still endure the punk scene.

I have always believed, and I still believe, that whatever good or bad fortune may come our way we can always give it meaning and transform it into something of value.       ~Hermann Hesse

My Punk@lullaby Journal Four can be purchased on the link below…

My Shop

https://hudleyflipside.com/my-shop-get-my-weird-stuff-here/

 

 

The Seminary of Praying Mantis Promtion

Happy May Day !!

A Grace for your pleasure, she is one of three that inspires the Muses of the arts…

Euphrosyne
The nakedness of woman is the work of God.

~William Blake

Slash and Flipside on ROQ late 1970s

“Records…..Records….and Records!!!!!” ~ Mike Vallejo

If you lived as a teen in the late ’70s or during the ’80s you were most likely riding the original wave or skating the rebellious cement of the original punk rock scene in some way, shape or form. Mike sent me a CD in the mail, like the good old days, of an early interview with Slash Magazine and Flipside Fanzine on Rodney on the ROQ. I am airing it again today. Mike said it was ok to post this on my blog.

001

From the Flipside 10 Year Anniversary issue.

Mike sells more than just records and seems to have a lot of music and things that document the early punk scene. I also purchased a CD from him of The Jam playing the Whisky A Go Go. A thrill for me to find. I am delighted to receive this CD. My mentors speak! I was most likely listening to this on my parents’ old WW II German Telefunken radio. WOW! Enjoy and thanks Mike Vallejo! A friend indeed.

The last audio 7 ends abruptly. I wrote a letter to Kickboy-face after hearing this live back when it was on the air.  He wrote back a week later. Also I danced with him at the Whisky A Go Go live to Madness.  It is strange but this captures pre Elks Lodge Riot... we all know how that turned out!!

X-8 001

X-8 Our Trip to San Francisco ’79. photo by Peter Landswick

Rodney on the ROQ Los Angeles Flipside Fanzine and Slash Magazine (KROQ)

I know that the nasty Slash characters played a song trick or two on Rodney… did you catch it… an utmost synchronicity for me…

Ultimate conclusion !

Stig Stench Interview in Flipside 2010

Wow! TBT! The interview Hudley Flipside did with me for Flipside Magazine back in 2010. YES! This Texas hick made it in fLipside Magazine.Enjoy!:”

mr-fuck-interview

1st quadrant: The Radio DJ:
1. Prior to, Raising Punk Rock Radio Back from the Dead!, where and when were you and DJ?

A: You work for Flipside with a name like “Mr Fuck?” …..Whatever floats your wiener! *LOL* Ok! Well here it goes!……….
In 1983, I got a job as a teenager at a shit-hole Country Music Station in Silsbee Texas. The equipment was very primitive there even by that days standard. By 85 I ended up in Oceanside, CA. Hopped around Disc Jockeying pirate stations *Cocking eye like a pirate* Harrrrrrgh! and hanging around public access radio shows and such.

2. What process do you use now to access the computer airways?

A: I get up…I sit down..Have either a cup of Wheatsville Fresh Ground Coffee or Coke Zero…Put my grubby hands on my keyboard .I turn on my HP Pavillion p630y PC w/AMD Phenom II X4 820 Quad Core Processor and *BAM!* I terrorize the Internet!

3. What has the response been to starting Stig Stench’s Punk Rock Radio?

A: Well to be truthful, I didn’t expect this type of response. I did it because I couldn’t find the type of Punk Rock Radio show on the net I wanted. I mean I found “looped” and shows that are repeated and taped months ago, but not a “live” Internet Punk Rock Radio Show. I figured if I got 2 or 3 listeners, cool! But I have had such a plethora, NO! a cornucopia listeners and incredible supporters! Kevin Seconds (7 Seconds) and Sly-J (Sylvia Juncosa) help put my little show on the map. Since then Greg Ginn (SST/Black Flag), Ed Colver and Ron Goudie (Modern Warfare/Enigma Records) have given me their hand of support. Greg Ginn/SST are now sponsoring StenchRadio.com. Sly-J (Sylvia J) is my webmaster! CRAZY! I have the best audience in the world! Listeners from L.A to Texas all over the US, Belgium,Canada, UK, France, Pakistan, Russia and …..Missouri.

4. What is the best thing about being a fucking punk rock radio man?

A: A “fucking” Punk Rock Radio man? That question, you’ll have to ask Mrs Stench! *Wink*

2nd Quadrant: The punk in a band.

1. So you have been in a couple Black Death Metal Bands?
A:Yes…….*Long uncomfortable pause*

2. What the hell kind of stuff did you do with Negativity Records?

A: I was the vocalist on Evil God’s CD. The very first time I laid eyes on it was when I saw it in the used bin at Cheapo’s Records here in Austin a couple of weeks ago. But seriously, TIM is doing well and he and I are still dear friends.

3. Did you go on tour with a band call the Powerless Flowers in the 1980’s?

A:I did a handful of shows with them there in Covina, CA as their bassist back in 1988. I deservedly was kicked out and came to Austin. I still talk to Abner on occasions. He is a wonderful guy and has a band with his daughter Samantha called Temper Tantrum. I need to call him and catch up.

4. What kind of music do you like best and what is your instrument of choice.

A: Untarnished early 80’s Punk Rock! Obviously, but I have been known to enjoy Early Industrial, Motown and Black Gospel.
Instrument: My voice and my PC….I am reforming my band The STENCHES this month.

mr-fuck-interview-2

3rd Quadrant: The Record Collector

1. How old where you when the record bug bit your butt?

A: In 1975. It was KISS, Black Sabbath,Thin Lizzy and Alice Cooper. I saw The Sex Pistols in Circus magazine and TV! I had The Sex Pistols, Ramones and Dead Boys on 8-Track Tape! *LOL* Remember those? My first punk rock record ever was “Nervous Breakdown” by Black Flag.

2. How many records do you have?

A:I don’t know, I would have many more if my ex-wife hadn’t have stolen some of them.

3. What are you favorite four records?

A: (1) The Damned-Machine Gun Etiquette (2) Black Flag-Damaged (3) The Germs-G.I (4) Dead Kennedy’s-Fresh Fruit For Rotting Vegetables

4. Compare records and CD’s?

A: CD’s are more accessible and convenient , but I prefer the audio of vinyl better because it captures the “Live” experience more and it has more soul! They are more meaningful.

4th Quadrant: Who the HeLL are you?

1. Are you a punk rocker?

A: I am the Chief of my own tribe. I captain my own ship and I fall under no label. I happen to identify and relate to the passion and spirit that is called “Punk Rock.” Punk Rock in my opinion is not a genre or fad. It is a revolution and a not to be trite but a state of mind that refuses to be quiet ,but to be a voice of many generations. It is not a shop, a shoe, a tour or even a radio show. It is it’s own true energy and soul. Some people get it! Some sadly don’t. This is the music that stirs my soul and allows me to never die. (Undead)

2. Are you really an evil zombie man?

A: I am part Fulci, part Romero and Louisiana Swamp Rat. …And I look like a Elvis From Hell!

3. What politically motivates you?

A: Amendment 10 of the US Constitution States “The powers not delegated to the United States by the Constitution, nor prohibited by it to the States, are reserved to the States respectively, AND to the PEOPLE!”. The US Constitution originally was to grant Americans the ability to be their own governing voice and the Government was to have very little “hand on” in our lives. Where in the Constitution does it grant for example the IRS to have the power they do over our taxes, property ect? They are a private sector! Can anyone tell me who gave them their power? The Government needs to be totally disassembled. Uprising is what America need! We need to be our own governing voice.

4. Do you believe in love…?

A: Love is what made me start this show. Love is what generates our soul to have passion for whatever it is we love to do. Our Family , Friends, our scene, our music. Love for my Freedom is what keeps me from choking the shit out of anyone who annoys me. I love my wife, my daughter. I don’t like a lot of people, but I love the life that flows through people. Anyone who says “I don’t believe in Love” truly does not believe that. Anyone who does, is either full of shit or six feet under the ground. Ok, that is all you are getting out of me. I am starting to sound like a hippie or a owner of a cheese shop.

https://hudleyflipside.com/meet-the-flopside-family/

https://hudleyflipside.com/my-shop-get-my-weird-stuff-here/