A Place at the Table- 2D Gallery Wall Exhibition: August 5-28, 2026
Southern California Women’s Caucus for Art.
Contact Email : socalwomenscaucus@gmail.com
Opening Reception: Saturday, August 8, 5-8 PM
Artist Talk: Saturday, August 15, 2-4 PM
Location: TAG Gallery, 5458 Wilshire BLVD., Los Angeles, CA
Hours: Wednesday -Sunday 1-7 PM.
And it does address the Exhibition I have been invited to. Two of my watercolors will be available for viewing.
Not the Crone mantis but just as well. My form of animalism includes the Praying Manis. My friend of nature. The ability to blend. We must balance “sacredness with irrelevance.” As a woman, a survivor, I find this holiness while being creative.
Holy Baubo Defeats the Inquisition and Okosimaan.
Holy Baubo.
She hangs on our bedroom wall.
I see her often taunting me to call.
An ancient arcane figure deep within my being
I hear her speaking.
Often repeating
Her laughter to Demeter
Fragrant womb of all!
Okosimaan.
Based on the Three sisters- Mandaamin, Mashkodiisimin, and Okaosminaan as Corn, Beans and Squash gifts from the Thunder Beings and reminders of Wenabozho’s humble prayer.
“Thunder beings he cried, my heart is low. The people are starving. Even I, your friend, am weak with hunger. I ask not for myself alone., but for all to eat.”
The creation story for the Anishinaabe Indigenous peopled in the Great lake region of Cananda and the United States.
When I was studying religious studies in university, I was curious why my professor skipped this period, the Inquisition, in our religious history class. Holy Baubo showed up to show me why. So, we stayed up late one night and produced a humorous perspective of how to solve this issue. Not just skip it but deal with it.
Last Thanksgiving I wanted to be more traditional. America or Turtle Island finding that touch with our Indigenous friends. I was introduced to the story of Corn, Beans and Squash. It was how the three grew together. What looked like a messy garden was really a wholeness that each plant gave to the other for its survival and growth. A wonder story one should find and ponder.
Both watercolors framed 9 by 11 inches. Available for purchase.
An older post posted on 25 Feb 2022.
Crone Mantis Watercolor by Hudley
“The butterfly teaches us to not be afraid of change and transformation for, as warm and fuzzy as a caterpillar may be, it is the butterfly that lives fully and beautifully after having endured the fear and darkness of the unknown to reach the light outside the cocoon.”
~ Pg. 178, SUN BEAR.

Sharing and setting limitations.
I had two dreams last night where my animus was most distinctly attracting my curiosity. I was offered delicious food which I did not have to go shopping for or cook. Then in another dream I was kissed on the neck and lips gently as in some film noir by a man who looked like Tyrone Power. My animus, the unconscious masculine side of a woman, was asking for attention.
I am listening!
Then awake from the dream world enjoying the morning, I was outside with the cats in my garden. A lovely butterfly came with the usual circle dancing up to me from the west. I was focused on the symbol of spring as my cats. Thinking it was a bit early for such a transformation to happen.
I went back into my cave and did research.
I pulled out two books: The Once & Future Goddess, A Symbol for Our Time by Elinor W. Gandon (1989) and Dancing with the Wheel the Medicine Wheel, Workbook by SUNBEAR (1991).
As always, I learned new things about art, nature and being in tune with a moments time of learning, is so important, synchronicity wise.
“Raven writes about what a courageous act of self-exposure it is for a woman to positively identify herself with her work and say something that challenges the existing and prevailing worldview. When she expresses herself without the support of a social, economic, and cultural base she has not participated in the mainstream of the culture. “The culture does not operate from her perspective. Her contribution has neither spoken to it, nor been understood by that system,” which is just what happened to Judy Chicago…
An energetic, assertive woman freely in touch with her own sexuality, and working directly from the erotic power, Chicago evolved an abstract form, the butterfly-vagina. This symbol was to become the core of her new iconography in The Dinner party, a monumental and complex work of art that is often misunderstood…
The idea is obviously not to reduce all women to cunts, as society itself often does. [Chicago] sees the butterfly as metaphysical references to the whole issue of that it means to be ‘feminine,’ how that word reveals the slant in our values and how those values can be challenged by using the vernacular imagery of the female,“
“I was struggling with the issue of making the feminine holy.”
Pg. 322 The RE-EMERGENCE OF THE GODDESS: A SYMBOL OF OUR TIME.
- Arlene Raven (Arlene Rubin: July 12, 1944, Baltimore, Maryland – August 1, 2006, Brooklyn, New York) was a feminist art historian, author, critic, educator, and curator. Raven was a co-founder of numerous feminist art organizations in Los Angeles in the 1970s.










































