Tag Archives: Alternative music

that bass guitar sound punk standard


The punker band Detox came into my focus today. Also, someone asked on Facebook if punk rock is dead. I think of punk as a genre of music, as a standard, like Jazz. It keeps playing on. For me it is about one song to the next. That is what I based My Punk@lullaby Journals on.  Punk is all about a song, an experience, and friends. So, I guess if all the punk standards die, and all experiences of punk, and all your punk family of friends die… then it is dead. Or you die it is dead.

If you play what you like to hear it is not dead. One can go anywhere to experience punk. Music blaring though your headphones, at a show, or at a big festival. (I shudder at the thought) That is just my preference. Punk music is like playing back memories or experiences that I have had. Punkers. I think we all live at our own standard of punk whether it be past, present, or creatively in the future… I tend to jump around to… hanging at one place more than others. I don’t consider myself a punk, but I have had my share of the 10% punk experience. There is a continuity of that kind of experience in my life.

My favorite standard of punk are two bands. Detox and [Charged] GBH! The Bass & guitar of Steve and Tony and of Ross and Jock are the best. Anytime I hear a song by either band their sounds make me happy to be alive. All those wild confused good feelings come back of belonging to a family of punks over time and space. I just feel fucking great…. thank you…. that bass guitar sound punk standard …. The best of the best…. Good, glorious and makes me feel GREAT!

That is all have to say today….



TAPE TEN

Punk Rock Museum Flipside Cartoon Issue

Flipside Cartoon Issue form The Punk Museum



 

KFJC 89.7 FM TAPE NUMBER TEN THE 10% EXPERIENCE…A KISS IN THE WIND

Sharing these tapes for free is like sharing an old jazz tune or inspiration experience. It has its place in the continuity of the punk rock experience of 1984. This is what I should have told the young woman who liked to come to this pub on punk rock DJ nights. She enjoyed listening to 30-year-old music. The thirty-year-old magazine she referred to documented the 10 % punk rock experience!

Once upon a time at the local pub a woman in her twenties looked over at me. She was talking to a friend and I heard her say,

“I don’t know what the big deal is? That magazine came out over thirty years ago?”

She then looked over at me again. I looked back at her. I raised my shoulders and rolled my eyes as if to say,

“I know what ya mean.”

This pub is considered a music pub. The founder Patrick Fairley was in the 60′s band Marmalade.  Here a long line of DJs who just happened to play 1980s punk rock. Punk rock is a unique genre and like jazz we all rejoice in the awesome sound of its originators. Going to the pub is kind of like going to church. The sociology of religion states that 80% of people going to church do so for social reasons. Only 10% go to have a religious experience. A pub is the same way. When ya add some great music and beer this is the place to be to do the 80% thing or the 10 % thing…or both.

As the spirituals gave birth to the Blues and then Jazz; so, does it inspire the music we listen to today? I don’t go to church anymore but I do go to pubs and for me it is a 10% experience. In the 1700s pubs often held meetings under the convert of drunks but, it was the beginning of revolution. It was about individuals who came together; who opposed the Church of England and their government. They sang their pub songs or hymns around the fireplace, and hidden in these songs were the lyrics and tunes that inspired the people.

Punk rock can be like going to church and it can be an 80% social thing. To me it has always been about the 10% punk rock experience. It is inspirational, thrilling and has the ability to awaken one to wild possibilities of hope and creativity as any good ‘old Jazz song does.

 

Flipside 44 Lee Comic Issue 001

A dollop for your reading pleasure from 1984 fans. Taken from the letter section of Flipside Fanzine Lee Issue # 44, 1984. We published 7 issues in 1984.  This tape is dedicated to all the Los Angeles Glitter Scene  women who became the foundation of an early punk rock scene…and to Pat Fear for his Flipside theme song.

LIVE Public Image Ltd. from Flipside Videos !!

the missing 10 % is unclassified, SNFU or part of the X-files.. so go screw!

(Taken from https://hudleyflipside.com/1984-kfjc-89-7-fm-hosted-by-hudley-flipside-about-the-big-punk-rock/

 

Also sprach Zarathustra (Strauss)

  1. Einleitung, oder Sonnenaufgang (Introduction, or Sunrise)
  2. Von den Hinterweltlern (Of Those in Backwaters)
  3. Von der großen Sehnsucht (Of the Great Longing)
  4. Von den Freuden und Leidenschaften (Of Joys and Passions)
  5. Das Grablied (The Song of the Grave)
  6. Von der Wissenschaft (Of Science and Learning)
  7. Der Genesende (The Convalescent)
  8. Das Tanzlied (The Dance Song)
  9. Nachtwandlerlied (Song of the Night Wanderer)

“I am a forest, and a night of dark trees: but he who is not afraid of my darkness, will find banks full of roses under my cypresses.”
Friedrich Nietzsche, Thus Spoke Zarathustra


 

One must have chaos within oneself, to give birth to a dancing star.
Thus Spoke Zarathustra (1885). Prologue 5

Pallas Athese 001



 

Rest in skate heaven

Turning 60 is all about going to visit the chiropractor. It was the pogoing or the slam pit that done me in.

Sitting in the coffee job and listening to the retired men talk about how they read the obituary section every day made my dancing john and I laugh. It isn’t funny when it is a comrade from days long gone by.

Like Julie of Sin 34.

I remember asking her once a question when we first met. She was the talk of the town. She was bright, skated and was a singer of a punk rock band.

“So, you skate board?”  I asked her.

“Ha Ha Ha… do I skate board, yes on a board, but I think you mean do I skate!”

Two generations merging in a scene where terms changed fast. It was never easy confronting and talking to punks. Julie laughed loud and held her own in a scene that had some tough competition. Boys everywhere. I captured her voice in a little article called Feminine Influences I put in Flipside issue 39. Our six-year anniversary issue.

Rest in skate heaven!!

Feminine Influences (2)

Feminine Influences Flipside 39 Aug/83


Who knows and beyond?

It was the year 2038, The old purple haired broad walked slowly down the street. On a big monitor above her she saw that old Flipside Logo. Now part of an advertisement campaign for public office. Those people running for office with pig hearts. And she thought it was weirder when she heard the Ramones’ song as part of a bike exercise commercial back in 2018.

After about 14 years over reflecting, reliving, and watching all the Flipside stuff I help produce become dissected, rearranged bought and sold and resold I can now let it all go. T-shirt logos and documentaries too. I came out with my own D.I.Y. publications to tell my story. It has been out for over a year or two.

Yes, I have been asked to tell my story in other people’s books. Some I did because I felt the need to save the memory of Flipside. Not anymore. I let it go. This is a reality that I had to face and it was not easy letting go of the need to protect Los Angeles Flipside Fanzine.

“It may be bad, but it feels good”

I hope others that were part of Flipside tell their own stories in their own way. Who knows we could put together a blog or book that includes our individual stories as writers, shit workers, photographers, people who caused considerable trouble etc. That would be fun.

One thing that shines through as a truth that Al and I believed in…. “You don’t have to ask permission.” If you want to do it just do it. “

So, letting it go means just that. You don’t have to ask me if you want to use this or that from Flipside’s vast products in anything you are doing. Just do it. I will not be part of that anymore. It is not my responsibility.

Yet, I do have my projects if you need to see what it was like for me as a Flipside punk person. A simple story that I did in my little bedroom converted into an office. Where I do my art, poetry and writing of all kinds, so be it. It took me 2004 to 2017 to finish the Punk@lullaby project. Just like condensed soup but a condensed punk rock story.

To all my old & new friends of the Big Punk Rock @ beyond.

~ Hudley


https://hudleyflipside.com/my-shop-get-my-weird-stuff-here/



Face towards the sunshine…

Barbara Graham

Two off-beat women that were executed. They both led a rough life that is so similar. Shunned by society, prostitution to survive and hanging with the wrong types of men that took advantage of their poverty and desperation.  The kind of real life Noir that gets your blood boiling.  They did not need to be killed. They were falsely executed.  They were victims of a dark world. Trapped in it a justice system that profoundly betrayed them both. Money and profits from the films … was it really to tell their story?  I hope so.

Aileen Wuornos


“Keep your face always toward the sunshine – and shadows will fall behind you.”
Walt Whitman

 


I want to live… Actress Susan Hayward

Barbara Graham (June 26, 1923 – June 3, 1955) was an American criminal convicted of murder. She was executed in the gas chamber on the same day as two convicted accomplices, Jack Santo and Emmett Perkins, all of whom were involved in the robbery that led to murder of an elderly widow. Nicknamed “Bloody Babs” by the press, Graham was the third woman in California to be executed by gas.[1]

Her story of adult criminal activity is told in the 1958 film I Want to Live!, in which she was portrayed by Susan Hayward, who won the Academy Award for Best Actress for her performance as Graham.

 


Actress Charlize Theron

Aileen Wuornos was born on February 29, 1956 in Rochester, Michigan, USA as Aileen Carol Pittman. She was married to Lewis Gratz Fell. She died on October 9, 2002 in Florida State Prison, Starke, Florida, USA

Wuornos was brought into the death chamber on October 9, 2002. She had Kentucky Fried Chicken and French fries as her last meal and was given a $20 budget. Her last words before the execution were “Yes, I would just like to say I’m sailing with the rock, and I’ll be back, like Independence Day with Jesus. June 6, like the movie. Big mother ship and all, I’ll be back, I’ll be back.” [1] At 9:47 a.m. EDT, Aileen Wuornos died. She was the tenth woman in the United States to be executed since the Supreme Court lift its ban on capital punishment in 1976, [33] and the second woman ever executed in Florida.

 


Barbara loved her jazz…


Aileen’s favorite song…

Nicole Wegner : PARALLEL PLANES – A DOCUMENTARY ESSAY ABOUT INDEPENDENCE AND MUSIC

Director: Nicole Wegner
Year: 2017
Duration: 100

Language: English

“This film pays homage to the American DIY spirit and the diversity of the US musical landscape outside the commercial music industry. While many other music films never make it beyond hero worship, director Nicole Wegner consistently maintains eye level with her twelve interview partners,…”


http://syndicado.com/menu/parallel-planes/


https://parallel-planes.com/the-artists-bands/


“Minor Threat skateboard fun” video in this film “Parallel Planes”.

~ Los Angeles Flipside Fanzine : Flipside Video, Courtesy of Hudley Flipside,

Taking the back door into UCLA or remember sneaking in the bathroom window to get into shows for free?

I did not know that this two-day event was the first of it’s kind at UCLA. Yet I naturally follow Joe Strummer’s advice, which is to move naively into things. I think of this as letting the essence or spirit of an event unfold as it may. This is how I fell into punk rock. The right place at the right time. It was synchronicity and all that unconscious revealing by focus and experience.  For me, as others, it was the first note of a song. The guitar riff or bass depth and drums ripping though my spine. It made me wake up!

I wanted to attend the full event but didn’t because of my bad back and family responsibilities. I attended the full event on Saturday. I made as many of the sessions as I was able to. Each session inspired me to see from a different perspective. Some of the panelists are very academic. Their blending punk with thesis was a challenging reality for most of them. Also, the need to archive punk, in general, was something that challenged all of them. I have questioned this one myself. I was hoping that by being here that some of my questions might be answered. Their augments are satisfactory. Over time, I will consider all of them.

IMG_1119

Session 2B ”Punk Epistemologies, 9:30 to 10:30 AM was my first session to focus my mind on.  I listened actively to Sarah Gelbard speak about punk as being “neutralized,” or “ask a punk,” and “ask a punk academia.”  She is a PhD candidate. She defines herself as a punk planner and architect. A punkarchitect! She said the Academy, conformity to institutions or university, does reject her feminist and or punk attitude. The title of her presentation, “Ask a punk: from informality to anti-formality and anti-authority and when to say fuck.”  I felt an irritatingly shy stirring in her that filled the room. I have not felt that feeling for some time. Her integrity and honesty moved me. She mentioned story telling may be a type of approach to her chosen field of study.

Robert Haworth was next, and his theme was on” radical learning spaces.” As an educator and practicing anarchist he shared some biographical stories about his punk rock experience. A theme that ran throughout his talk seemed to focus on building character. How society and educational (Academy) focuses a type of expendable economic character that forms our children. He mentioned a good book to study by Emma Goldman, “The Child and its Enemies.”

Session 5B: Punk Political Economies presented three panelists. What came forth here is that “We should consider continuing to support the cracks.” I enjoyed Kathryn Heffner speaking about women fanzine publishers of science fiction writing. Briefly I can say that I learned about the history of fanzines. She talked about the community formed by fanzines and how they communicated. It is about women and resistance. My heart about jumped out of my chest. She defined so many elements of what a fanzine is all about. It is about community, friends, and a subject.  The punk scene is about friends and the continuity of friendships over time. I did not hear much about this at this conference!  Kathryn did tell a short story about a sister zinester who misspelled a word and made a whole movement out of it. I about jumped up and screamed hallelujah. The point being that with fanzines the information is current and was often printed up quickly to spread like a good wild-fire of communication. I knew this to be true.  Her talk gave meaning to my community. We need to keep writing and self-publishing.

The final Session 21B. Decay, Ruins, Dystopias was very enjoyable and academic. S. Mark Gubb: “God So Loves Decay,” is an unusual perspective on achieving punk material. He is a PhD candidate. Simply put he had a friend read lyrics as punk poetry, UK Decay, in front of beautiful architecture in London (England… there abouts?). This is presented as performance art. My insight into what he said is that the archiving of punk repertories can inspire others to be creative. Taking archived material and recycling its essence to a new generation to use creatively.

IMG_1117

The Lyrics of UK Decay, Performed by Russ Crimewave

Michelle Gonzales presentation made a strong comparison between George Orwell and Joe Strummer. Her brief history of punk, music and films as influencing a generation of punks is a bit superficial to me. Yet her argument was sound and interesting. I noticed how she compared their lives and their life long intentions. As she suggested, I am going to Goggle the best of Utopian literature and do some reading. An honest look and what can move someone! A book and or a song.

Overall, I did not include everything from this punk academy conference. Yet in general I had a great time. My impression is that archiving punk is a very sound perspective and a reality for some such as Slash Magazine and Maximum Rocknroll. I am not sure If I am ready yet to turn over my stuff. (as a friend said to me, “Take it out of the dusty garage” or something like that ) Time will tell.

IMG_1121

Mixing the Academy and lived PUNK culture is a concept like a giant punk rocket filled bulging with repertories of sight and sound. A giant punk rocket to the future that explodes into the sky like a fucking loud scream to a new world of fireballs and resistance…. women indulgently included!



 

In moonlight
Danced through the night
Dancing in the white light
Freedom from conditioned trance
So stand so grand in decadence

And the white light
Danced through your stomach
Pulls tight
Tight pulls the chords of your empty heart

In decadence
The dance of decadence
Defiant stance - a new decade
Of decadence
Realise your personal destiny
Fighting the fat and prosperous
Brood of mediocrity
Once safe in its prosperity
Now burns
In decadence
The dance of decadence
The cry of truth - a state of mind -
Call it youth

Take up your part in the play
Decapitate the day
White eyed - hatchets high - luddite like
In decadence
Decadancing - you can be your own king
You can be your own king
In the dance of decadence
Deca-deca-deca-decadance

A Daily “Fuck” Gazette , theater of the trumpsurd

Nearly all men can stand adversity, but if you want to test a man’s character, give him power. ~Abraham Lincoln

The Dump, paul ramen nooodle and Mr. Dence


The United States, the State of the Union Address… some don’t care and some are  going to boycott the event. Others will watch like us at FLOPSIDE Comics. The theater of the trumpsurd!!! So Mr. Shit came up with this in his sleep. We listened as he snored and talked in his sleep. Mr. Shit said…

“The State of the Union Address… the Address… a dress.”

We listened.

“The dress… the dump is a dildo… Trump.”

Mr. Shit gave us a cleaver idea while he was deep in his sleep and talking in his sleep!  He is an elder punk with dementia. Mr. Garbage listens closely to his wisdom and said it clearly to Mr. Fuck,

“A dildo and a dress…”

We smiled and then went to have a round of coffee. Today we will put on our best party dresses and listen to the addressees….

No man has a good enough memory to be a successful liar. ~Abraham Lincoln

Party dresses

Mr. Dang, Bloody Elbows, Mr. Crap, Hudley, Pee Wee Gutter, Mr. Fuck and Mr. Garbage…..Mr. Shit declined to participate in our Flopside Crew Party dress party… old fart.


 

 

1 – 16 Los Angeles Flipside Fanzine Covers

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Doing some research and writing and thought I would add this to my site… goes well with the other gallery Flipside Fanzine Covers I have up here.


Flipside Issue 1

First Issue issue sold through the mail was to Kristian Hoffman (from the Mumps) ~ Pooch

DATE: August 28, 1977. FORMAT: 8 1/2×7” Xerox PAGES: 20 PRICE: $.25. PRESS RUN 100 STAFF: AL, Lash, Tory, Pooch, X—8.

Flipside Issue 2

DATE: Oct. 1977. FORMAT: Shitty offset, 7×8 1/2″ PAGES:20 PRICE: $.25. PRESS RUN 200 STAFF: AL, Lash, Tory, Pooch, X—8.

Flipside Issue 3

“ART SCHOOL ISSUE”

DATE: Nov. 1977. FORMAT: Xerox, 7×8 1/2″ PAGES: 20 PRICE: $.25. PRESS RUN 100 STAFF: AL, Lash, Tory, Pooch, X-8.

Flipside Issue 4

DATE: Nov. 1977. FORMAT: Offset, 7×8 1/2″ PAGES: 20 PRICE: $.25. PRESS RUN: 300 STAFF: AL, Dean Ded, Larry lash, Pooch, X—8.

Flipside Issue 5

ISSUE # 5 DATES: December 1977. FORMAT: 7×8 1/2″, offset PAGES: 20 PRICE: $.25. PRESS RUN: 300 STAFF: Al, Dean Ded, Larry Lash, Pooch, X—8.

Flipside Issue 6

DATES: January 1978. FORMAT: 7×8 1/2 PAGES: 20 PRICE: $.25. PRESS RUN: 400 STAFF: Al, Dean Ded, Larry Lash, X-8, Pooch.

Flipside Issue 7

DATES: March 1978. FORMAT: 8 1/2×11″ Offset PAGES: 16 PRICE: $.50 PRESS RUN: 400 STAFF: Al, Dean Ded, Larry Lash, Pooch, X—8

Flipside Issue 8

DATES: May 1978. FORMAT: 8 1/2×11″ Offset PAGES: 16 PRICE: $.50 PRESS RUN: 500 STAFF: Al, Pooch, Dean Ded, Lash, Gaby, Pete, X—8

Flipside Issue 9

DATES: August 1978. FORMAT: 8 1/2×11″Offset PAGES: 16 PRICE: $.50 PRESS RUN:500 STAFF: AI, Pooch, X—8, Pete, Gaby

Flipside Issue 10

DATE: November 1978. FORMAT: 8 1/2×11” Offset PAGES: 16 PRICE: $.50 PRESS RUN: 400 STAFF: AI and X—8

Flipside Issue 11

DATES: November 1978. (Flipside Calendar for 1979) FORMAT: 7 1/2×5″, offset PAGES:28 PRICE: $1.00 PRESS RUN:500 STAFF: Al, X-8, Gerard, Gerber

Flipside Issue 12

DATES: January 1979. FORMAT: 8 1/2×11, offset PAGES: 16 PRICE: $.50 PRESS RUN: 500 STAFF: Al, X-8, Angola

Flipside Issue 13

DATES: January 1979. FORMAT: 8‘1/2×11, offset PAGES: 24 _. PRICE: $.75 PRESS RUN: 500 STAFF: AI, X—8, Angola

Flipside Issue 14

DATES: April 1979. FORMAT: 8 1/2×11, offset PRESS RUN: 700 STAFF: Al, Nate, Jill, Paul Problem, Lois, Angola, Gerard, and X—8

Flipside Issue 15

DATES: July 1979. FORMAT: 8 1/2×11, offset PAGES: 24 PRICE: $.75 PRESS RUN: 800 STAFF: Al, Jill, Paul, Angola

Flipside Issue 16

DATE: October 1979. FORMAT: 8 1/2×11, offset PAGES: 24 PRICE: $.75 PRESS RUN: 1000 STAFF: AI, Paul Problem, Jill and Hud (cover)


Lucy sings

Marjorie Main playing the character Lucy in the 1939 film The Women

The Women is a film that I adore every time I watch it. It does not have one man in the film. These women spend their time talking about men, competing for men, and divorcing and remarrying men. All the female characters in this film are delightful. The women are in love and out of love, nasty and catty.  Their current 1939 fashion is wonderful. A very clever film for women from the 1930s. A different culture for sure and some undercurrents that are questionable by today’s standards, but overall a delight time to jump in and have some real fun with these gals.

My favorite character from this film is Lucy. She runs a ranch in Reno for women who are in the process of divorcing their husbands. What brought out this little review is a song that Lucy sings in the film and it goes like this…

Lucy: [singing] If the ocean was whiskey, and I was a duck, I’d dive to the bottom, and never come up. Oh baby, oh baby, I’ve told you before, the more I drink whiskey, I love you the more! Oh baby, oh baby…

This morning while cooking up the chili, peppers and more this song came blaring out of my mouth. I usually call my bursts of activity around the house as taking out little cat Z from under my hat. (Dr. Seuss) Today I was singing Lucy’s song.

“Oh baby, oh baby…”

Lucy sings it with a crescendo and high pitch. My guys and cats were twitching their ears and wondering what the hell got into mama this morning.

“Oh baby, oh baby, I’ve told you before, the more I drink whiskey, I love you the more! Oh baby, oh baby…”

If you have viewed the film, you know what I am talking about!!!