Have Another Beer

Hudley Flipside | Punk Rock Colleague • Historian • Archivist



For an old gal who still writes letters and keeps her PO Box open though often quite empty.


Jarvis Josiah Hudson




Underground Music Cultures and Music-Making in Los Angeles

‘Imaginary Cities’

https://link.springer.com/book/10.1007/978-3-031-75499-9 #punk #hiphop #deathrock #metalmusic #gangstarap #thegunclub #thedoors #45grave #thebyrds #nwa



Writing letters has always been my thing. I might have written them unreadable at first, but I often would get intelligent and friendly responses. Either way I keep writing them to companies, authors, and friends. In my twenties working on a fanzine, I did spend a great deal of time reading and typing up letters from fans and adversaries for Los Angeles Flipside Fanzine.

One letter I wrote in the late 1970s was to the band The Saints. I never got a response. It was about their Prehistoric Sounds Album I had a question for them.

I remember writing the letter on an old manual typewriter in my parent’s house looking over at the Verdugo Mountain Range of the San Fernando Valley. White out, finding a stamp and an envelope and walking to the Post Office to mail it is a consistent and blurry memory for me, but a true one.

I’m inspired by the band’s edition of a type of horns background band sound. Or as they say a horns section. An incredibly unique sound for me as a youngster. So, I wrote to the record label at the time. Whatever address was on the inside insert or record label for HARVEST. How silly that was but now I find it a very endearing thing for a fan to do.



Finding out about the Aints much later I can see a band that includes that sound I was curious about. Specially from one of my favorite songs. A nice continuity and happy way to see the endurance of an album, scene, song, or people. Bringing back all those good feelings too!

It’s still a thrill for me.

At one time I talked to music friends about a mystical journey of going to see Chris Baily sing in a pub in Australia. As the story goes, he would go to pubs and sing his songs. One of my friends who was thinking of going along is a local Los Angeles friend whose name is also Chris Bailey.

What dreams I had. A dream is now over due to Christ Bailey of The Saints recent demise, but I still hold the need to visit Australia someday, regardless.

It is so good to be in touch with Ed Kuepper though this electrical fire and still learn things about music, this place here on the internet. That he makes himself very accessible is sweet. I am only one of many fans who are listening.

This story I share is very comforting in a clever sort of way. I think the three fates Clotho, Lachesis, and Atropos are my friends.


A Dream Come True.

2025 Los Angeles




Good feelings coming back on a lazy Saturday in the San Fernando Valley.

Hudley Flipside | Punk Rock Colleague • Historian • Archivist


Moving slowly out into the world again like a young kid. But instead, I am now an old fool. That suits me just fine.



I feel a vacuum feeling drawing me down watching all the big festivals and bands touring. Been to maybe two shows since the pandemic began. Not eager to go out. Yet today I had to do something new locally. I saw a record store on Devonshire Street and Topanga on Facebook.

In Chatsworth a once sleepy town in the San Fernando Valley.

Yes, the horse stables are gone but finding DEADELY WAX Records did give me that old-fashioned feeling. No parking meters around and inside the place was cool and clean. A variety of records of all kinds from generations and genres.

Youngest son and I walked in and were greeted with a friendly hello.

All those good feelings coming back on a lazy Saturday in the San Fernando Valley.



From Jazz to Punk even saw a B People LP. I was walking through generations of music as flash backs mixed as albums passed my eyes in the viewing stalls.

I settled on two and son on one.

These summertime blues are eased a bit with a free feeling of what it was like in the valley once.

Now today it was just as nice. Easy traffic on the corner of Devonshire Street and Topanga an example of what life was like when head-shops and record stores once ruled everywhere.

Great place to go.

Son can stop by before or after going to CSUN and if I get the need I got a place to visit. Feels good to support a local small business record store.


Bernie Taupin

This is the time for Jose Quavo

Hudley Flipside | Punk Rock Colleague • Historian • Archivist


1976 -1977


HUD the young punk


Today I had to make a Target run for my 100% organic cotton underwear or “panties” for short. Like it was such a big deal when it was announced in the film, Anatomy of a Murder. Yet it amazes me, and I feel like a pervert when I go into the lady’s underwear section here.

It has expanded out with a million of types of sexy underwear. I guess women put a lot of time in to thinking about underwear and being sexy regardless of the material. All synthetic and… well yucky. The little section of cotton underwear is small indeed.  

Yet I digress, what really got me writing today is a song that came on the PA system while walking around. ‘Strawberry Letter 23.”

“Strawberry Letter 23” is a 1971 song written and composed by Shuggie Otis from his 1971 album Freedom Flight. It is also widely known by the 1977 cover version recorded by the Brothers Johnson and produced by Quincy Jones.

I knew the song briefly 1977 as a time when the tide came in with a variety of music. New wave, soul, disco, pop, punk, and progressive music. All merging in a kaleidoscope of fun.

We all took shots and headed back into the clubhouse to,

This was one of our favorite songs.



Being Unladylike

Hudley Flipside | Punk Rock Colleague • Historian • Archivist


We have not yet learned to value the creativity, courage, and competence required to negotiate the ordinary but devastating frustrations and crises of human experience.

Jacobs, Ruth H. Be an Outrageous Older Woman Harper Collins. Kindle Edition.


“Alone with just a little bit of soul, right now, now, baby
Darling, everything is gonna be alright
One more time, just one more time, baby…”


What strange times we are living in. The contrary nature of life is overwhelming. Nature seems a bit outrageous and shrilling.

Just last week youngest son was meant to go on his first Geophysics lab above Ojai, California. The coastal regions to studying the mighty earth and her movements.

Then he went to one party with ten friends. The only time in a long while where he felt safe. Then right before the event he got the Covid19 tracer call. He did not get to go to his well planned out lab. That was last Monday. Most likely the worst day of his life. The family all tested negative. We were lucky. Yet I was mad as hell.

The opportunity will come again because that is his major.

Security is a good need, I think. I did not always feel this way.

Today while watching some news about the floods in Kentucky a commercial came on. I don’t know what was being sold but the song caught my attention. It was the song Security.

Otis Ray Redding Jr. (September 9, 1941 – December 10, 1967) was an American singer and songwriter. He is considered one of the greatest singers in the history of American popular music and a seminal artist in soul music and rhythm and blues. Nicknamed the “King of Soul”, Redding’s style of singing gained inspiration from the gospel music that preceded the genre. His singing style influenced many other soul artists of the 1960s. Label:          Volt – 45-117, Vinyl, 7″, 45 RPM, Single, Promo 1964.


But my favorite recording of this song is by, well you know, The Saints.

Label: Harvest – HAR 5166

Format: Vinyl, 7″, 45 RPM, Single Country: UK 1978

What do you do if they call you shrill because you demand your rights? You don’t get anxious about being unladylike. You realize that a man who fought for his rights would be considered appropriate and that ideas of what is ladylike have been used to control women for centuries. You translate shrill to assertive and smile smugly. Congratulate yourself that you have learned how to be assertive in your later years despite your socialization to be a “good girl” and cave in when confrontation arises, fearful of censure.

Jacobs, Ruth H. Be an Outrageous Older Woman, HarperCollins. Kindle Edition.




Hiawatha and Dionysus

Thyrsus detail of Bacchus and Ariadne by Angelica Kauffmann (1741-1807)


I call upon Hiawatha and Dionysus

I often believe you two are the same

Friends of humanity and the earth.

As seeing the history of our earth and the waters of the earth.

As seeing nature and the growing things and vines and the wildness of this planet.

I think upon the goodness and wisdom of Hiawatha and Dionysus.

Both connected to the earth are the best ones to learn from.

As we see politically, globally, and as human beings we need to listen to them now more than ever.

They teach me to listen to nature, that magic is a gift, and our friends are closer than we realize.

The Dionysian Thyrsus is a powerful compelling campaign addressing the wonder of life and the earth and harmony.

It is all within us and outside of us.

Hiawatha speaks to the wind and in our souls of the equality of all things from minerals in rocks and out towards the star beings.

Balance and harmony, creativity and weaving our stories, hope and timeless ambition to run with the wildness of our natures.

Lady bugs to bear, mountain lions to the praying mantis.

Trees and rivers, rain, and thunder.

Love making to eating and dancing.


Hiawatha’s departure: Hiawatha sails Westward into the sunset


Photographic Print of Hiawatha/Longfellow. Hiawatha’s departure: Hiawatha sails Westward into the sunset © Mary Evans Picture Library Media ID 580113



My Three Solids until the day I die.


Hudley Flipside | Punk Rock Colleague • Historian • Archivist

All about a song and beyond !

Waiting in my garden


Beginning original post ! July 2022

What makes me the happiest is enjoying the continuity of songs that inspire my animus, helping in the process of my individuation.

To be who I am in this mysterious world. Conflicts and war, religiosity, and a woman’s right to choose moving through the air like bombs of emotionalism.

Poor anti-leaders who abuse their power in our world. War… Many things that make my voice in a world ridiculously small. Yet I keep speaking up and writing. As a mother… I have done well enormously proud of my decision to give birth, to create.

I am responsibility and caring. That is me and I am grateful to all the individuals who have nurtured me over the years.

Love is worth speaking about…. also, the love of a song, the ones who sing and create… that is my wonder to cherish as I am also my mother’s wild child.

Cheers







https://encrypted-tbn3.gstatic.com/licensed-image?q=tbn:ANd9GcRE0qGzY0zV3ZUeCjNPIXmwc1V1C-CqGqRGuNT65VYzrFYz-1bF7GHTN_n2LsdAB6v1iVf3-gKP6PUuzOE

Tomorrow November 5 2025.

My ode to The Saints.

In my active imagination comes a whisper in my ear declaring,

“I guess we meet where genius hides.”

I think of my three solids. One I will see tomorrow.

It shatters any genre of my three solids. The alchemy is in me. Yet tomorrow I just don’t know how my mind will embrace the sounds of his guitar, of Ed’s frequency live?

Will I implode and turn to ash. When Ivorplays his drums, will the vibrations go-go down my spine and shatter what’s left of this fragmenting crone vertebra?

Their vinyl has sustained me these many many years… but we all know that is simply different from the wild variable of a live ambiance’s charm! 

Oh, unbearable is this waiting to see The Saints live!

What a turn on! The whole current line- up!



Stephen Stills

“For What It’s Worth,” “Bluebird” and “Rock & Roll Woman” are three of my favorites moving songs performed by Buffalo Springfield’


Ed Kuepper

“Nights in Venice,” “Demolition Girl “and “Church of Indifference” are just fucking profound songs.


Jock Blyth

Playing his hardcore punk sounds “Freak,” “Pins and Needles” and “Stormchaser”


Songs that sample their sound… I love them through and through. Thanks!

* Stephen Stills born Dallas–Fort Worth metroplex, the fourth-largest metropolitan area; Buffalo Springfield 1966–1968.

* Ed Kuepper: Edmund Kuepper was born on 20 December 1955 in Bremen, then part of West Germany. His family migrated to Australia in the 1960s and settled in Brisbane. The Saints 1976-1979.

* Colin “Jock” Blyth: GBH were early pioneers of British street punk, often nicknamed “UK82”, along with Discharge, Broken Bones, The Exploited, and The Varukers (Charged) GBH: 1978–present.


As I awoke from my existential childhood there are three guitarists who have had a profound wake-up call on my soul, body, and mind. From generations the 60s through to the present. Making me happy because these three guys are still moving around the planet and continue to play their songs.

Though I never had the privilege of meeting Stephen Stills, or Ed Kuepper I have met Jock Blyth.

I am friends with Ed on Facebook and Instagram and maybe my annoyance as a fan has zapped him now and then. Because my only addiction in life is the band The Saints.

I don’t ride my generations as a cult but as scenes mingling amongst sounds and friends. In real time, life and on the internet. The 1960s, 1970s and beyond had the most influence on my life as the DNA that makes up my soul.

As a senior citizen, I am pretty well saturated. Open and way past the need to wake up now. It is the sound of these three that calm me, set me free and make me feel bitchin’.

I was overwhelmed and happy watching Billy Porter perform “For What It’s Worth” with Stephen Stills at the 2020 Democratic National Convention. Or seeing Buffalo Springfield on an old episode of Mannix from the 1960s.

Or being moved deep down when listening to Ed perform The Aints’s song “You’ll Always Walk Alone” on YouTube.

Or reading Jock write about how he enjoys Tripel beer, a style of brew with roots in the Belgian Trappist tradition on Facebook as GBH tour Northwestern Europe.


SONY DSC

Now all within the comfort of my cave.





Babes That Keep Giving

These are a handful of Babes that keep giving. They have influenced generations by their singing, music, and right and left hand creative endeavors.

Alicia “Alice” Armendariz ~ Alice Bag from The early LA Band The Bags  

Annette Celia Genevieve Zilinskas ~The Bangles, Blood on the Saddle…  

Julie Lanfeld-Keskin ~ Sin 34  (RIP)

Kim Morris – Bass and vocals The Thingz  

Susan Janet Ballion aka Siouxsie Sioux~The Creatures, Siouxsie and the Banshees.



We are living through kind of depressing days. I think it is a nice time to share humor and look to some darn strong women!

Babes that keep giving.

I love the term BABE. It means so many things. Here at FLopside Comics Mr. Fuck and Mr. Shit mean it in a HIGH FIVE way. Lovers, girls, and best friends. Yet they also use the word ‘dude’ the same way when referring to their friends that are girls.

Girls, gals, women, females, dames, dolls, and broads.

Mr. Shit does not use proper English and prefers to use “that” instead of “who”… it is a slang thing… yet Babes Who keep Giving he said,

“Is fucking OK too.”

 










Punk Diversity



It feels good to have inclusion in the punk rock and or underground narrative. Artists, writers, bands, and fanzine writers… all of us smiling into the internet. The electrical fire …. It is fun and surprising to me.

This is Doug Fitzsimmons journey and one can see it all on Instagram.

“You know Iris Berry is the one that encouraged me to start this journey.”

He seems very driven.

“I know it is crazy. I have been so blessed to have the opportunity to meet so many. It has helped that the community has vouched for me & my project which is also to document those who might fall out of the narrative if it is not done soon.”

As we have lost a couple of good buddies recently from the punk scene, I feel his determination.

This picture has a story. I was at the Hong Kong Café in China Town. It was early 1979 and I did not know Al Flipside from Flipside Fanzine very well. Yet he took my picture that night.

He said when he went to bed later that night, he saw me in a dream. The picture he took. My image was made up of hundreds of little dots like an X-8 drawing. X-8 is the original master mind behind Los Angeles Flipside Fanzine. Well, the rest is history.



I stand with Milo, just a singer in a rock & roll punk band!

Punk Rock Historian and Consultant

~Hudley Flipside




[Restaurant]

“Welcome to Der Weinerschnitzel

May I take your order please?”

[Milo]

Yeah, I want:

Two large cokes, two large fries

Chili-cheese dog, large Dr. Pepper

Super deluxe with cheese and tomato

[Restaurant]

You want Bill sperm with that?

A cross section or motif of the underbelly of an overall group or groups of people who seem to behold Donald Trump as a great leader.

To see them wake up and testify against him was amazing to witness. One guy a family-oriented person a responsible citizen and one a creative artist. Both pulled into this absurdity is very disturbing to my sensibilities.



They describe stepping back and then observing what it really is they were supporting and promoting. Their followers denying the holocaust or another noting that all the lawful cases of Donald’s were thrown out of our courts. The BIG LIE is here to be torn down … we now see the man behind the curtain.

“Who was the man behind the curtain in the Wizard of Oz?

One of the iconic characters in the film is the Wizard himself, the Man Behind the Curtain. “Dorothy was in need of a champion, someone who had the power to help her get to her home. Toto pulls back the curtain revealing the Wizard to be a fraud, all smoke and mirrors and no real power.”

Milo Aukerman was on a cover of Flipside Fanzine #37. We thought they were so crazy good when they first hit the punk scene. Der Weinerschnitzel defined a “amber moment” in punk rock history. I never forget the first time I played it hot off the press.

We all did grow old and now we must address this issue now. I am wearing my shirt today to support The Descendents as a punk band that is not associated with the ideocracy of these stupid assholes and deplorable and lost persons who supported or were at the United States Capitol attack. They are our human doppelganger staring us right in the face.

What will it be like when i get old

Will I still hop on my bike

And ride around town

Will I still want to be someone

And not just sit around

I don’t want to be like the other adults

Cause they’ve already died

Cool and condescending, fossilized

Will I be rich will i be poor

Will i still sleep on the floor

http://www.spin.com/2016/07/descendents-milo-aukerman-interview-words-of-wisdom/


DEBUNK THE PUNK


Punk Rock Historian & Colleague and Professional Consultant.

~ Hudley Flipside


I may be whacked and out of this world but existing through the punk scene some things bugged the hell out of me. This is one story that needs some clarity.

Shawn Kerri is an American cartoonist who was dynamic through the 1970s & 1980s. She is known for her art as one of the rare female contributors to Cartoons Magazine and as part of the early Southern California punk rock scene, creating iconic images used by the Germs and the Circle Jerks.

Kerri moved to Los Angeles in 1977 and was involved during the punk rock scene in the late 1970s and early 1980s. In 1978, she published a fanzine called Rude Situation, with Mad Marc Rude, who was then her boyfriend.

‘During this period, she drew numerous promotional flyers and tour posters for her friends, which included members of the Germs and the Circle Jerks. One of her best-known images, “Skank Kid””

A little punk history, a cross over. I still believe that Mad Marc Rude and Shawn Kerrie are the same person. I thought this and no one has made me think otherwise.

When Los Angeles Flipside Fanzine came out with our Comic Relief Issue # 33 both Mad Marc Rude and Shawn Kerri premiered in this issue.

I have been studying both of their signatures. Both are different yet there is a similarity, though I must admit a very subtle one. As is their art.

Mad Marc always uses the © image in his signatures. Shawn does not very often.


Mad Marc Rude © Date.


Shawn Kerri


Then while looking for an image of Eddie Egan who just passed away for his memorial, I stumbled upon a punk cat image which seems to engage with the possibility again. The subtle difference is how each artist signs their artwork. Most often we did not see many © being thrown around. Yet in this one it is there and looks like a Mad Marc Rude merged with a Shawn Kerri and the surprise is at the ending of the signature.

It looks like Carrie © 85.

The “A” looks like a Mad Marc Rude “A.” It has the format of his signatures. Yet it looks like her signature in how the rest is formed except for two things.

A “C” is added to the beginning and an “E” is added at the end.





Chris Bailey’s psychic being is still very strong

Nov 29, 1956 to April 9, 2022.


“A gentleman with the mad soul of an Irish convict poet’: remembering Chris Bailey, and the blazing comet that was The Saints.”

~John Willsteed


Rendering of the band The Saints. Hudley Flipside, 2010.

Happy I bought tickets to see the reformed Saitns this November in Southern California. Autumn 2025.


The author reflects on their deep connection to the band The Saints, particularly after the death of Chris Bailey.

Hudley expresses grief for both Bailey and the passage of time over the decades.

The band has been a part of her life journey, leading to discovering a sense of belonging among misfits and a punk community.

Hudley connects her experiences with Bailey’s life timeline, moving from youth to adulthood.

In her grief, she turns to the works of Carl Jung for solace, recalling insights from The Black Books.



I call it random reading. I read from the last paragraph, allowing my mind to wander freely within the words. The intuitive response is amazing to me, as each reading seems to unearth memories and thoughts I had long buried.

Encouraging action also flows from this process, inspiring me to take bold steps forward. So, with this so much is shared, whether it’s with friends or in solitude, and I am content to move on past my grief, cherishing the lessons learned along the way.

Into a new season of life, knowing that, life endures and blossoms in unexpected ways… this gives me hope like finding the Sun, illuminating the path ahead and igniting a renewed sense of purpose within me!

“In this moment the enormous tension was released and like rain it swept away [57/58] everything that was tensed, too highly strung. And soon sleep returned and brought with it a curiously beautiful image.” {138}

(p.162) The Black Books, Volume Two, Carl Jung

“Forms walked clad in white silk in a colored atmosphere. Each surrounded by a strangely fragrant, glowing tinted aura, some reddish, the others blueish and greenish.” {139}

{138} “This paragraph was replaced in LN by “Then I had a second vision.”



Chris Bailey “a curiously beautiful image”


The Saints (Barry Francis, Ivor Hay, Janine Hall, Bruce Callaway, Chris Bailey) at The Hero of Waterloo, Sydney. 1980. Picture by Judi Dransfield Kuepper. Image taken from an article by John Willsteed. Link Below.


https://theconversation.com/a-gentleman-with-the-mad-soul-of-an-irish-convict-poet-remembering-chris-bailey-and-the-blazing-comet-that-was-the-saints-181059?fbclid=IwAR3o-g8RRKpyNxgIQ6x7QsihP9fTBaDqaBZhzozuQI0oHlaWVenjLWeZ_F8


“Jung recounted this dream to Aniela Jaffé and commented upon it as follow: This is some kind of in-between realm (the term definitely occurs in the original version of the dream) The idea was that if one is confronted with the shadow- as was the case through the experience of Siegfried’s dream then the idea comes:

I enter into a twilight: I am this and yet also something else. And this doubleness an abdication of the unconscious, which reached strangely far beyond me.

If one is in the company of several persons, and one knows them and knows about their shadows, one then sees these people as they are, but are also something entirely different. They are surrounded by a strange sphere.

They live in a strange, light-colored sphere, which circumscribes their ‘other’ state. This seemed to me to be like a vision of the world beyond, where men are whole and complete, unlike here. The saint’s halo also characterizes his transcendent shining light, his psychic being.”

{139} (MP, p. 170)

The reminder of this entry was replaced in LN by “I know, I have stridden across the depths. Through guilt I have become newborn.” (p.162)  Carl Jung’s Black Books. Volume two page 175-6.


Siegfried’s dream http://mlwi.magix.net/siegfried.htm https://en.wikipedia.org/wiki/Black_Books_(Jung)




Just call me HUD…

Once at a pub a guy came up and said,

“What do I call you HUD, Hudley Flipside or Holly?”

I told him, “… just call me what you want…. ‘Hey you’ will do.”

From Hudley Flipside to Literary Legend: 45 Years of Making Words Dance!

Being a behind the scenes punk was fun. It was a lot of hard work and was often boring. Such as picking up the mail every day, typing endless words written by punkers whose writing was hard to read. When no one else would do the work, I did it.

For all the good punks celebrations going on around here. I want to join in and say a little something about the Hudley Flipside name. My last name was Hudson. Someone called me HUD… maybe X-8… and it caught on. Or maybe it was someone from a band before Flipside Fanzine… who knows?

 The point being it became my name as a publisher and co-owner of an underground punk Fanzine. I am kind of put upon to say that I did not think the “punk rock community” would be so uplifting and supportive of itself. There were times in the 90s when I ran away from it and hated it. Not the case now.

I’ve learned to appreciate it and try to flow with the best of it. I am part of the punk community whether I like it or not. Anyway, as I am an old dame now, I want to join in with one of the best pictures taken of me as a youngster by Al Flipside. He took a lot of them too. We had thousands of pictures and negatives all around the place. Pictures of cats, bands and beyond.

https://www.amazon.com/author/hudleyflipside

Picture by Al Flipside 1980

Old post…..

Today I was watching as the wind blew a whirlwind on top of a pool of water. It moved around as a tornado or Golden Ratio. A soft movement as it was. I authored this poem at the end of a Los Angeles Flipside Fanzine CATALOG that I put together. I was most likely 20 or 21, maybe younger or older. A 1980s me. I wonder where I was back then? So goes my journey of Intellectual Property and gathering Flipside merchandise together. It was nice to see it all again. So, here is a place if anyone wants to know some original source of Los Angeles Flipside Fanzine. I will continue to look for more of it from the 1980s.

Who Cares?

Somewhere in a realm

of something true and light,

Is a purple flower!

And all who pass it

Can never find it,

Because somewhere

Between the loud

Music at shows,

And the morning after shows,

The purple flower

(Which is always shining)

Is lost in us.

This is tearing us apart.

From what all of us could be,

Friends trying to

Understand each other.

Among all the dragons and desires

And lies

are the purple flowers.

Listing to people’s minds

and seeing their desires

Float through their

Personal orbits.

These mystical blooms

Are trying to reach.

Some and help some.

Usually, I find myself.

Painfully talking to

illusions of people

Who are disconnected?

From the reality

Of the purple roses and

Of friendship and of

Life.

The silent ear

Has died, no!?

The loud music is now

Replacing it,

Trying to scream it,

the truth,

but falling away

From the truth.

Is revenge or hate or gossip the trip

You take

or is the silent

Purple flower in your grasp!

… Hudley (1980)

Sweet Maid

“Most people were in bands, if not they did magazines, records, owned stores did artwork etc… it was a scene that begged to be contributed to, and ripe with contributors… X-8 and Tory were in Low Budget, who made their Hollywood debut playing over the Dils at the Whisky, Larry Lashwas in a weird Quick sort of band, Pooch was in a progressive (!) band, and I was their friend, couldn’t play anything, but still wanted to be involved.”

  • Al Flipside

Los Angeles Flipside Fanzine Issue #1 August 2, 1977.


Cover of my electric punk guitar.


I am not a musician. Sure, as a kid I played my parents old player piano. I could hear a song and I then played it on that old lovely musical hardwood black upright piano. My mom got me an acoustic guitar when I turned 16. Along with it was a record to learn chords. I did not follow it through.

I appreciate the lyrics and the sound. I have a knack for listening to the song in a way that is so satisfying to me and as my life went on, I found others like myself. Journalists, fanzine writers and ‘scenesters’ who supported a growing musical world. I will leave the real musicians and their creative genius to themselves. I sure love to hear and feel their songs though.


My dream last night took me to a multilevel club. It had a front door and back door; it had a bar and an outdoor patio. It was very easy to access. I had booked a one-day event to perform. I had my old guitar with me at all times. A guitar a band member gave me, and we had cut out the “Quaker Maid” milk symbol from a large ‘sheet metal sign’ to place on the front of my guitar.

Why I pulled that old guitar I had from the 80s into my dream seems strange to me. I also had my old fender amp.

There was a small stage in the bar where I practiced. Realizing I did not have a clue what I was doing. Yet when I touched my sweet maid, it made a loud punk sound. I thought this to myself while dreaming,

“I am going to go on stage here and play for my friends. Not having a clue what I am doing, I will just improvise … like I always do,”

The first person who greeted me at the door was Shawn Stern. He was drinking a beer and seemed very happy. Then as I walked through the club. The club was peppered with many characters, and I thought to myself,

“I will play a chord from my sweet maid and then read something from an editorial from an old issue of Flipside. Maybe this can be a spoken word event with improvised guitar sounds?”


Hudley, Glen E. Friedman, Shawn Stern, Lee Ving. Taken from Let Them Know 2008; The Story of Youth Brigade and BYO Records. /Stern Brothers.



Outside on the patio I sat with a couple of gals who were talking about another show. I was cool with that and then walked in Cliff Roman.

“The guys at that show were wearing TUXEDOS.”

He had a upside down smile on his face when I smiled at him as I was holding my sweet maid. Cliff was wearing all black with a big oomphy black sweater.

I realized I was at a club without my mask on. It felt so good to be out and about again. No fear and happy to be hanging out at a club again with others.

Then I awoke. I don’t go out to events much now. It seems like I still do in my dreams all the time. This punk rock thing is deep in my psyche!


Time is mine now “like good angels, walk at either hand.”

As the year comes to a close or “crashing close’” as a friend of mine described it I just feel like I am “drifting.” Yet in my heart and mind I feel something stirring as projects, impossible goals, and dreams. If I can live as long as Betty White did there are numerous things to aspire too. I call my muses to agree with me. I call upon my imagination of hopes and possibilities and by the Graces I will be happy in my cave during a pandemic that crosses this border between two years of 2021 and 2022.

I start with a new random book pick and first paragraph I see to read. I pull the mighty hand of praying mantis and so the book is found. I open the book and so I see a quote and now I write it down.

“Filial and fraternal love must satisfy her, and grateful that such ties are possible, she lives for them and is content. Literature is a fond and faithful spouse, and the family that has sprung up around her… is a profitable source of satisfaction to her maternal heart… Not lonely… not idle, for necessity, stern, yet kindly teacher, has taught her the worth of work: not unhappy, for love and labor, like good angels, walk at either hand.”

“Happy Women” Essay by Louisa May Alcott. / Pg. 171 The Heroine with 1,000 FACES By Maria Tatar


Time movement

This is my winter solstice poem for 2021


Water drop in time. by Hudley Flipside 2021

There is something

Real and magical

Between a breeze

And the top of a

Pool of water

An in between language

A pattern of symbols

Mandalas, ancient texts

It gets talking so fast

I don’t understand it all.

Then Silence as is now.

I wait

Beginning again

A rich diplomatic dialogue

Transcendence

Old time ancient rhymes.

Spirit moved across the face of the waters still…

How it moves upon the face of my waters

This ancient

Rogue tongue….

Breathe it in …

A constant story

For us all

rebuilding

renewing

Inspiring life to unfold …

An in-between place

I wait for the elves …

The Fay move …

stretch and turn.

– Hudley

Mythos of Punk Rock




My story is a tributary that flows into a larger living water of music that is beyond me now. For all those that were there from the beginning I know you have a story to share too.

~ Hudley Flipside



2019 is when I completed the template on my memoir. Catching images and people that still run through my psyche.

Just the other night in a dream I ended up backstage. The door opened and before I knew it five big punks from a band, and I were taking pictures. Their friendly arms around me made me feel inclusion.

It is a time that still haunts me. As in every generation of my life. All are unique times. Vastly changing and different generations.

 I wrote My Punkalullaby as my two boys were growing up. It is not a perfect story, but it does hold a mythos of punk rock. I just received copyright for my book. I am celebrating three years of mission complete as my book moves into the world. A rebellious history about a young woman who help document a punk rock scene.

It is comforting to know that several of the bands I love are still out playing. There is not a scene like there once was but now the punk genre is solid and so the story moved forward.

Below is an excerpt of Christmas day 1978.

“One empty Christmas day, Crazy Keith and I took the bus from South Gate to Woodland Hills where my folks lived. We had to make a stop in Hollywood to transfer buses. The hollow feeling as we waited for the bus on Hollywood Boulevard still impresses me with the echo of merry-go-round music.

A miniature one was going around and round on top of a truck parked nearby. There was an offbeat sound of music, and trash filled a lonely boulevard before us. An old lady down the street walked slowly toward the bus stop where we sat. She was searching in trash cans.

When she reached us, the skinny crippled woman held out a half-eaten apple. Not as a gift but for money.

I lost Crazy Keith a year later somewhere to someone and quickly got over his obnoxious, talkative, and controlling personality and moved on.”

~ MY PUNKALULLABY, HUDLEY FLIPSIDE


Click on image below to take you to where My Punkalullaby is sold.


Ritual helps…

Limited Run Block Print by Matthew Hunt
https://www.facebook.com/kittykiller13

“And so, the stars see you.

While you drift away they have their own courses and they watch you.

And listen, they already know your name.”


I viewed part of Bob Dole’s church funeral yesterday. I was touched by a song You Never Walk Alone sung at the event from the musical Carousel. A favorite musical of mine. Richard Rodgers (music) and Oscar Hammerstein II (book and lyrics) 1945. I had to look deeper into this event.

At this funeral I heard and saw diversity shared. I saw President Biden, the 42nd President Clinton and even the only person not wearing a mask Texas’s Ted Cruz.

Trump was not there because he and Bob Dole had a falling away over last year’s election issues.

I was surprised not seeing President Obama. Yet Tom Hanks talked at a WWII memorial after the service. A memorial that Bob Dole willed into being.

A ritual like this brings diversity together. Even in such troubling times. Strange conspiracy theories and political conflicts are uncomfortable to see, and now I feel our country is lost. I feel lost.

I listened to, storyteller, author, and scholar of mythology, anthropology, and psychology, Michael Meade’s podcast MOSAIC VOICES last night and he talked about how important ritual is. The act is all inclusive.

And whether a person is conscious of even being part of ritual … rituals bring us tighter together. It is an inclusive and wonderfully experienced reality to share.

Concerts and clubs or music and bars bring people together to join in this type of ritual. I have learned that this is what brings us together tighter. To experience this inclusiveness. As a cave dweller I miss this.

As the Winter darkness embraces us this solstice, I feel the darkness. Uncomfortably so. Yet it is up to me to find the light and share in the light where I can find it in this overwhelmingly troubled world.

Michael Mead also shares a poem entitled “When You Get Lost” by William Stafford.


What Happens When You Get Lost

By William Stafford

Out in the mountains nobody gives you anything.

And you learn what the rules were after the game is over.

By then it is already night and it doesn’t make any difference

What anyone else is thinking or doing because now you have to

Turn into an Indian.

You remember stories and now you know that the tellers were

Part of all they told.

And everyone else was, and even you.

They’re all around you now, but if you’re afraid you will never find them.

And those questions that people always ask-

“What would you do if…”

They have their own answer right now- nothing.

Some things cannot be redeemed in a hurry no matter what the intentions are.

What could be done had to have been done a long time ago.

Because mistakes have consequences that do not just disappear.

If evil could be canceled easily it would not be very evil.

And so, the stars see you.

While you drift away they have their own courses and they watch you.

And listen, they already know your name.


I find ritual in writing too and I think,

“Oh Boy, I got to write this down!”

This holiday season 2021 I have decided to buy all my Christmas gifts from friends who are part of the ritual of the creative life. All artists are mostly local and some in other states.

I want to share in their joy. What it is for an artist when they feel someone enjoys their work. Also, to experience the wonder of something created and willed forth into this world as an expression that has value to the artist and me. That is inclusion and that is the ritual.

My way of experiencing ritual and bringing light into the world and beyond!



A dame dumps on a long-time friendship.

Mr. Noir Alley cool man said he has viewed this film six times and does not get it. What is it about? Like most Film Noir it is not so easy for some to get it.


JOHNNY O’CLOCK

Trouble!



As when reading literature or watching Film Noir it does not always follow a linear journey. Sometimes it is like walking labyrinth and you just got to let the heart feel the way.

Love and it’s shadow are the main players here. Good and rotten characters are par for the course that play in different hubs that always lead to the moments of awareness. Therefore, I love Film Noir.

Johnny o’clock is a wise guy with a decent heart. He is part of many hubs. People and their problems are his game, what he capitalizes on. We are watching or dealing with a person and their light and shadow or their psyche.

Such as Harriet Hodson & Nancy Hodson or Nelle & Guido Marchettis. Also, the good and bad cop. Inspector Koch or Chuck Blayden are played against each other in their own hub through this labyrinth.



Love is not always mutual, and crime does not always pay for everyone. Sometimes a hunch is stronger than an intellectual wise guy.

The film JOHNNY O’CLOCK has a nice flow and touches all those erogenous places. Smooth, jumpy and sadness as well as hate & love infuse the atmosphere of this film.


open to mama’s influence…

Esoteric knowledge is affecting a vast part of our modern culture. Having known this through foresight for years I realize that within our unconsciousness is magic, brightness and truth, directly opposed to a contrary reality, part of our often diabolically troubled world.


Synchronicity, the doppelganger, mystical numbers, and foresight are things I have talked about with my sons as they grew up. Reading Grimm’s fairy tales, watching scary films, other dimensions, and hope, are qualities I have magically graced upon them. They both are scientists and know their math and computers… yet they are still open to mama’s influence.

Recently my son had his best friend over to watch a film. Oldest son is converting his old room into an office for game streaming and my publishing company. Two sons and Sebastian watched Jordan Peele’s film US. (2019 film).

My son told me it was like having “my mama standing right next to me” talking about all the things you always talk about. I have not viewed the film, but I am intrigued because I recently released an image to Jordan’s new horror film coming out next year. Now that is a small, interesting synchronicity.

Oldest Son and Sara Taft California

Also, son told me that the town of Santa Cruz CA is in the film US. He was born in Santa Cruz Ca in 1992.

I think he is part of my often-misunderstood delusional world of foresight. Where art imitates life or life imitates art. This is less about me and more about my son. I don’t really want to see a film that entertains what I experience in real life. Yet I feel bitchin’ that my son and Jordan Peele get it!

Ritual Interlude: Crone’s Crowning.


I have been working on this project for some time and waited until the summer solstice to complete. This ritual is part of the native American medicine wheel of nature.

It is helpful in times of change, pain, and grieving. All about transformation and death, yes, we are all going through a type of world initiation, making this small offering to help others seems a creative opportunity to share from the inside out. Where the feminine and nature come tighter together to heal.

It is almost as if humanity is collectively going through a civil war between the ego and the psyche, science and religion, common sense, and emotionalism.

I look out the computer room window, my cave. and wonder and talk with the crones from the four directions.



East Crone



Crones of The East

those who sing

the songs of the transforming

The songs of the dying

And songs of the universe.


South Crone



Crones of The South

those who stir the caldron

Of change

That set the feast

For the transforming

And dying.


West Crone



Crones of The West

those who open the door

To the transforming

And the dying

And shed the tears of letting go.


North Crone



Crones of The North

those who wait in the realm of the transforming

The realm of the dying.

Silently helping with smiling faces.


Inspired by Susun S. Weed

Book: Menopausal Years, The Wise Woman Way

Alternative Approaches for Women 30 – 90


A new Flopside comic