The nakedness of woman is the work of God.
~William Blake

My personal opinions, experiences and expertise about Punk Rock! Colleague of highest degree cause that is what it has come down to.

Punk Rock Historian, Colleague and Professional Consultant
Hudley Flipside

If you lived as a teen in the late ’70s or during the ’80s you were most likely riding the original wave or skating the rebellious cement of the original punk rock scene in some way, shape or form. Mike sent me a CD in the mail, like the good old days, of an early interview with Slash Magazine and Flipside Fanzine on Rodney on the ROQ. I am airing it again today. Mike said it was OK to post this on my blog.
Imagine from Flipside fanzine taken by Larry Lash

Mike sells more than just records and seems to have a lot of music and things that document the early punk scene. I also purchased a CD from him of The Jam playing the Whisky A Go Go. A thrill for me to find. I am delighted to receive this CD. My mentors speak! I was most likely listening to this on my parents’ old WW II German Telefunken radio. WOW!
Enjoy and thanks Mike Vallejo! A friend indeed.
The last audio 7 ends abruptly. I wrote a letter to Kickboy-face after hearing this live back when it was on the air. He wrote back a week later. Also I danced with him at the Whisky A Go Go live to Madness. It is strange but this captures pre Elks Lodge Riot... we all know how that turned out!!
X-8- A Flipside Crew Trip to San Francisco ’79. photo by Peter Landswick (AL, Hud, Pete and X-8)

Rodney on the ROQ Los Angeles Flipside Fanzine and Slash Magazine.
I know that the nasty Slash characters played a song trick or two on Rodney… did you catch it… an utmost synchronicity for me…

Hudley Flipside
Punk Rock Colleague & Historian and Professional Consultant
“I am the Chief of my own tribe. I captain my own ship and I fall under no label. I happen to identify and relate to the passion and spirit that is called “Punk Rock.”
_ Stig Stench
Wow! TBT! The interview Hudley Flipside did with me for Flipside Magazine back in 2010. YES! This Texas hick made it in fLipside Magazine.Enjoy!:”

1st quadrant: The Radio DJ:
1. Prior to, Raising Punk Rock Radio Back from the Dead!, where and when were you and DJ?
A: You work for Flipside with a name like “Mr Fuck?” …..Whatever floats your wiener! *LOL* Ok! Well here it goes!……….
In 1983, I got a job as a teenager at a shit-hole Country Music Station in Silsbee Texas. The equipment was very primitive there even by that days standard. By 85 I ended up in Oceanside, CA. Hopped around Disc Jockeying pirate stations *Cocking eye like a pirate* Harrrrrrgh! and hanging around public access radio shows and such.
2. What process do you use now to access the computer airways?
A: I get up…I sit down..Have either a cup of Wheatsville Fresh Ground Coffee or Coke Zero…Put my grubby hands on my keyboard .I turn on my HP Pavillion p630y PC w/AMD Phenom II X4 820 Quad Core Processor and *BAM!* I terrorize the Internet!
3. What has the response been to starting Stig Stench’s Punk Rock Radio?
A: Well to be truthful, I didn’t expect this type of response. I did it because I couldn’t find the type of Punk Rock Radio show on the net I wanted. I mean I found “looped” and shows that are repeated and taped months ago, but not a “live” Internet Punk Rock Radio Show. I figured if I got 2 or 3 listeners, cool! But I have had such a plethora, NO! a cornucopia listeners and incredible supporters! Kevin Seconds (7 Seconds) and Sly-J (Sylvia Juncosa) help put my little show on the map. Since then Greg Ginn (SST/Black Flag), Ed Colver and Ron Goudie (Modern Warfare/Enigma Records) have given me their hand of support. Greg Ginn/SST are now sponsoring StenchRadio.com. Sly-J (Sylvia J) is my webmaster! CRAZY! I have the best audience in the world! Listeners from L.A to Texas all over the US, Belgium,Canada, UK, France, Pakistan, Russia and …..Missouri.
4. What is the best thing about being a fucking punk rock radio man?
A: A “fucking” Punk Rock Radio man? That question, you’ll have to ask Mrs Stench! *Wink*
2nd Quadrant: The punk in a band.
1. So you have been in a couple Black Death Metal Bands?
A:Yes…….*Long uncomfortable pause*
2. What the hell kind of stuff did you do with Negativity Records?
A: I was the vocalist on Evil God’s CD. The very first time I laid eyes on it was when I saw it in the used bin at Cheapo’s Records here in Austin a couple of weeks ago. But seriously, TIM is doing well and he and I are still dear friends.
3. Did you go on tour with a band call the Powerless Flowers in the 1980’s?
A:I did a handful of shows with them there in Covina, CA as their bassist back in 1988. I deservedly was kicked out and came to Austin. I still talk to Abner on occasions. He is a wonderful guy and has a band with his daughter Samantha called Temper Tantrum. I need to call him and catch up.
4. What kind of music do you like best and what is your instrument of choice.
A: Untarnished early 80’s Punk Rock! Obviously, but I have been known to enjoy Early Industrial, Motown and Black Gospel.
Instrument: My voice and my PC….I am reforming my band The STENCHES this month.

3rd Quadrant: The Record Collector
1. How old where you when the record bug bit your butt?
A: In 1975. It was KISS, Black Sabbath,Thin Lizzy and Alice Cooper. I saw The Sex Pistols in Circus magazine and TV! I had The Sex Pistols, Ramones and Dead Boys on 8-Track Tape! *LOL* Remember those? My first punk rock record ever was “Nervous Breakdown” by Black Flag.
2. How many records do you have?
A:I don’t know, I would have many more if my ex-wife hadn’t have stolen some of them.
3. What are you favorite four records?
A: (1) The Damned-Machine Gun Etiquette (2) Black Flag-Damaged (3) The Germs-G.I (4) Dead Kennedy’s-Fresh Fruit For Rotting Vegetables
4. Compare records and CD’s?
A: CD’s are more accessible and convenient , but I prefer the audio of vinyl better because it captures the “Live” experience more and it has more soul! They are more meaningful.
4th Quadrant: Who the HeLL are you?
1. Are you a punk rocker?
A: I am the Chief of my own tribe. I captain my own ship and I fall under no label. I happen to identify and relate to the passion and spirit that is called “Punk Rock.” Punk Rock in my opinion is not a genre or fad. It is a revolution and a not to be trite but a state of mind that refuses to be quiet ,but to be a voice of many generations. It is not a shop, a shoe, a tour or even a radio show. It is it’s own true energy and soul. Some people get it! Some sadly don’t. This is the music that stirs my soul and allows me to never die. (Undead)
2. Are you really an evil zombie man?
A: I am part Fulci, part Romero and Louisiana Swamp Rat. …And I look like a Elvis From Hell!
3. What politically motivates you?
A: Amendment 10 of the US Constitution States “The powers not delegated to the United States by the Constitution, nor prohibited by it to the States, are reserved to the States respectively, AND to the PEOPLE!”. The US Constitution originally was to grant Americans the ability to be their own governing voice and the Government was to have very little “hand on” in our lives. Where in the Constitution does it grant for example the IRS to have the power they do over our taxes, property ect? They are a private sector! Can anyone tell me who gave them their power? The Government needs to be totally disassembled. Uprising is what America need! We need to be our own governing voice.
4. Do you believe in love…?
A: Love is what made me start this show. Love is what generates our soul to have passion for whatever it is we love to do. Our Family , Friends, our scene, our music. Love for my Freedom is what keeps me from choking the shit out of anyone who annoys me. I love my wife, my daughter. I don’t like a lot of people, but I love the life that flows through people. Anyone who says “I don’t believe in Love” truly does not believe that. Anyone who does, is either full of shit or six feet under the ground. Ok, that is all you are getting out of me. I am starting to sound like a hippie or a owner of a cheese shop.
Meet The Flopside Family
“Eventually, Echo, too, began to waste away. Her beauty faded, her skin shriveled, and her bones turned to stone. Today, all that remains of Echo is the sound of her voice.”
Ovid, Metamorphoses, 3. 493-501
Hudley Clown party ’83

The echo of music is all that is left of the experience we shared.
Just like Echo, we begin to waste away.
Knowing the melting of my brain towards this reality, is something we all face.
Is there comfort in the echo of music?
Yes there is!
It can be like an old friend that does not age.
It is like an eternal echo from the past that is consistent with the present and beyond.
Lyrics echo this and books echo that.
Memories are echoes in my mind.
I can go over the memories again and again.
I miss so many scenes and groups of people who have gone.
I still hear the sounds of their voices but they are not there.
People, places and things that hold on with an echo.
That eternal echo of music, clubs and beer.
Screaming, dancing and holding friends near!
Dear long friendly echoes.

I was out the other night. “We skipped the light fandango” a bit. Now and then a pint, at the local pub, is a requirement of sanity amongst the battling of our republic. A young local toxicologist asked me, demanded, that he would like some more of my Flopside Bubble Gum Comics. I said I will bring more. Yet, here is all of them. You can purchase them through my P.O. Box I do no sell them thorough my PayPal account as I do My Punkalullaby Journals.
P.O.Box 5355, West Hills, Ca 91308
https://hudleyflipside.com/flopsdie-comics/

You’re only as good as the best thing you’ve ever done.
~ Billy Wilder
Dad a WWII Veteran (RIP) and his Grandson JF. Santa Cruz CA 1992


A little spark of truth…
and more punk history It was a day of closure and new beginnings. I leased one picture I took around thirty-seven years ago. It is now part of a film that is coming out soon. In the scheme of things, it is a small thing regarding this film.
It is a piece of the puzzle that screams loudly of integrity. I have been treated particularly good throughout the process. I got paid for it. (It is a pic of original line up of Black Flag after they broke up, but Keith is singing anyway at the Church) When American Hardcore came out I was overwhelmed by how the punk scene was presented. I did not like it. I saw my same picture in both the film and book. I even confronted the situation.
I said, “… that writers and journalists need to research their work and consider original source.” My words were ignored. Regretfully, I let it go. I am treated better by the film industry than my own punk community over this.
And that is a fact. Yet, I hold no grudges or bad feelings. I just walked around the problem and solved it my own way. The film “20th Century Women” will have an image folded in its creation that rings truth. From what I have viewed online, I am interested in this film because the film is set during 1979. (When my picture was taken)
Also, I am a woman of this generation. The film is based on a mother and her 15-year-old son. I have a 15-year-old son now. Interestingly, the film includes the early punk scene which is why the photograph is placed in the film. Nice synchronicity of goodness and better feelings! Everything happens for a reason. I’ve learned that integrity must be earned. It takes time and it is resilient! This image will only be viewed in the blink of an eye.
That is OK by me. I will be on the ending credits for a picture I took at a unique time & place in punk rock history, and it was originally published in Los Angeles Flipside Fanzine. Something to inspire my boys!!!! There are many stories from the big punk rock….
This is just one of them via Flipside Fanzine and me, and from a long time ago little punk chick named “HUD” ~Hudley! A brave little girl you were, you were!
20th Century Women Link
http://www.imdb.com/title/tt4385888/
Upgrade of This Film
Michael Conley 1959 to 2008, Band M.I.A.
Photo by Kurt Porter

2/28/2023
I just got back from walking around the block in the rain. I love night walks, especially when they allow me to reflect on moments that have shaped my life, and tonight, I found my thoughts drifting to Mike. He was one punk singer who made an indelible impression on my experiences and memories.
I remember a particular moment back in 2008, a time when I was deeply immersed in writing My Punkalullaby memoir. I was in the midst of recalling stories about Mike when I received an unexpected call from Nick, another member of the band MIA. His voice carried the weight of news that felt unfathomable—Mike had died.
The timing was staggering. Just as I was cherishing the memories of Mike and his music, Nick’s call brought forth a wave of overwhelming sadness. In that instant, it struck me how intertwined our lives were with the rhythms of music, friendship, and the passage of life. Looking back, I realize what a powerful and bittersweet moment that was, one that I feel compelled to share now.
The magic of music, friends, and life—and the inexplicable nature of what lies beyond—makes me ponder the connections we share with those who have passed. There’s something profoundly comforting in the belief that some of these punk friends who have died are watching over us, still somehow part of our lives and experiences. Perhaps they resonate in the chords of the songs we listen to and through the shared memories that linger in our hearts. It’s a beautiful thought that brings solace amidst the grief, a reminder that though they may be gone, their spirit and influence live on within us and in the music we cherish.
I remember Mike’s eldest daughter Alex Conley, explaining at his funeral, how her dad always had to play his music loud, be it in the house or in the car. She did not seem to get it, since they had headphones.
Today youngest son is acting like a know-it-all teenager. He knows all about art and rock & roll. A stick up his ass. Like an old fart art curator or rusty rock band member.
Me, I am just Mama Kin… I don’t know a thing.
I stopped to drop him off at his college art class. Before he got out, he turned down the music, changed the channel to Jazz, and closed the door. I then changed the channel back to rock & roll, turned up the music loud while spinning tires, and raced away.
Mike Conley came to mind. I was then really sitting with his ghost as this song came on.
It is cool man. Time for a cocktail. I enjoyed a ride with Mike Conley today.
Youngest son is my friend regardless… we both like rock & roll, art, and fast cars. He is a son, and I am a mom.
Mike was a good punk friend or maybe Punk Colleague on the wild side of my exuberant youthful life.
He is welcome to visit any time!


December 1979 is around 37 years ago. A very tight and small club of mutual fans, promoters and band members were a rebellious team.
Before Henry Rollins galore, when the underground punk scene was unique, new, and growing as wildfire. I swear our agenda was as sincere and planned as peeing on the walls.
I used to take a few photographs back in the day as the shift from Hollywood to Orange County became the thing like a large earthquake. Los Angeles Flipside Fanzine was there hanging with the scene. Drunk and wild as a windblown day.
I just signed an agreement to releases an image I took a long time ago about the punk scene for a film called “20th Century Women.”
The image is my intellectual property. Some day when, hopefully, my grand-kids or great grand kids are viewing this film they may take to heart what their “grand ma ma” did for an underground punk scene. It feels good to share history with a company that respects my rights.
They pursued me with respect and integrity. It feels particularly good in the scheme of my life. There are many stories from THE BIG PUNK ROCK, this is mine.
The photograph is of Black Flag at the Church with Keith Morris singing after they had officially broken up, a unique photograph is the photograph that I have licensed today.
It is not about the money, it is about how I am still amazed that anyone would care about a hot, sleazy, little underground church basement in some place called nowheresville some 37 years ago… because we knew at that time, at that time & place, that no one cared!
I am amused that this lost sentiment has changed. I am happy to sign this agreement today.
New 2026: Just Click on the image for a print on demand Tee-Shirt.


Punk Rock Colleague & Historian and Professional Consultant
Hudley Flipside
I have never been a record collector. I did have a little cheap tape recorder. I would record the music I liked, taken from a radio program, and play it over and over again. I duct-taped that little recorder on my bike and would play it while riding around the neighborhood, feeling the wind in my hair and the rhythm of the music pulsing through me. It was a simple joy, but it sparked a passion for music that I’ve carried with me ever since.
The Sex Pistols were my favorite. Their raw sound and rebellious attitude resonated deeply with me during my formative years. Everything I recorded was from KROQ when it was still free radio, a station known for its eclectic lineup that brought the freshest hits straight to my ears. It was current and on the cutting edge of what was happening in the music scene at that time, helping to cultivate my taste and broaden my horizons. Each song I captured on tape felt like a small adventure, a way to escape the ordinary and dive into a world filled with energy and intensity.
The music opened some doors for me, shaping not only my identity but also leading me to new friendships and experiences. I remember gathering with friends, sharing our favorite tracks, discussing the latest bands, and feeling a sense of connection through our love for music. Those moments were formative, and I cherish them. Yet, I can list the records I purchased myself from 1978 to 1989 and beyond, each one holding its own special place in my memory. If I could recount the stories of those albums, they would include the late-night trips to local record stores, the anticipation of listening to a new release for the first time, and the nostalgia of revisiting the sounds of my youth. Each record, though not an extensive collection, was a testament to my journey as a music lover, embodying the evolution of my tastes and the ever-changing landscape of the music world.
From 1979 to 1989 we at Flipside Fanzine received all our records free. Like many fanzines we performed a service to its readers and to the bands. (of course I will not list the endless supply of thrift store records that came and went for pennies…)
“Any review is a good review,” was my motto. Now I am comfortable with listening to YouTube freely. Any song I want is there for me. I can do what I have always done.
Don’t get me wrong, I spent a good 10 years addicted to the smell of fresh vinyl, but now I am amused by collectors and enjoy their company now and then. Before all this I listened to hand me down records via my siblings.
When I left Flipside I also left all the records, I did love, to the Flipside Record collective.
Records are a small slice of the pie for me and punk rock. Then, I preferred live shows, reading letters from punk fans and making friends.
Another two bits about the BIG PUNK ROCK… there are many stories from the BIG PUNK ROCK, this is just one story.
By the time the punk scene hit the ‘eighties there was a continuous explosion of riptide underground movements happening at the same time. Bands like X and the Go-Go’s went with the big labels. They left the underground punk scene and faded. A mirage in the desert of big media. We did not focus on them anymore.
This post shows up after many years. I have done what I inspired to do. I am amazed that in my frustration I came forth with a re-print of our Los Angeles Flipside Fanzine Ten Year Anniversary issue. Also, My Punkalullaby memoir, both in paperback. Also, my three Los Angeles Flipside Fanzine creation narratives documentary films.
I did what I set out to do. A new Flipside Video loop is out too and that is it… Flipside Fanzine, my story and all for ones reviewing. D.I.Y…. the Flipside way. Learn as you go.
a bard of the earth and sky, in the alley,
Hudley Flipside / 2024.
2016
A Ballad to the Good ‘ole Song by Hudley
‘to the ‘young punk dead.’

Life is a song, having a beginning, middle and end. A song has a soul each time you hear it. A song shares feelings and memories which awaken the life lived. A song holds on to experiences of good and inconvenient times! A song has a spirit which is eternally youthful, middle-aged, and old. A song ends like all living things. A song has all the qualities of life. A song amplifies us, the human being, who create the songs and those that resurrect listening to the songs … repeatedly.
Da Capo Press is under a big black sky. Yes, it is good that we all have the freedom to share our stories. In the supermarket I seem to get some deep emotions pulled up. We are all visually abused at the checkout stand. As usual I had to turn the ugly Trump man image around. Was it Time, Time/Life, Rolling Stone, People are another big media cutaneous pig where I viewed his image, and by chance the inside front page had a book review? My brain sucked it in so fast and I did not want to read it… but it came at me like a kamikaze knife. “The real punk rock …,” “X and the Go-Go’s, “the beloved untouchable Minutemen.” Then there was the one image of Henry Rollins …. His bald head.
“It is a curse…”
I put my blueberries and tortillas on the checkout stand. I know how big media gets reviews in such magazines. Is it an honest interview or is it a promotional piece, or a big advertisement? It all reeks and my heart break a bit to think about how the ‘young punk dead’ would rebel against this… as they did 30 years ago.
At Los Angeles Flipside Fanzine we had an endless supply of photos of all the punk bands. It was common underground weed photographs. Not for sale, or for a museum or for any uptown media DICKS. That was not our agenda.
Henry Rollins’s shaved head,
“Twenty something years ago; what issue was my review of Black Flag live in? A show where I called him a penis head?”
I think it was because he was one big muscle of sweat. It was meant to be a humorous blow from an underground nobody punker chick reviewing just another show. Henry took it like an evangelical’s literal agenda when reading the bible.
He was not hip to Los Angeles yet. A sense of humor he lacked big time.
Was it 12 years ago when the “Old-School” nostalgia punk thing started to happen? It has passed its peak baby. I was a silly doe when I approached Santa Monica Press and Feral House Publishing 12 years ago with my memoirs about the punk scene.
No one was interested. I even shared my ideas with punk Icon Keith Morris. No dice…that is how vinyl melts… old school wise.
I am not bitter, just sad. I find that some people are too eager to tell their story in a big way. Big promotional campaigns and all the media hype is a downer man. I wanted to write my memoir because I was concerned that the punk scene, as Los Angeles Flipside Fanzine, might be forgotten? Why am I so loyal …? I am still trying to figure it out!
What I have learned is this, I am more determined to do it myself now. DO It Myself BABY… locally and with my own media machine; a computer, scanner, and little art closet. I have my heavenly share of nasty sharpie pens, erasers, and pencils too.
I’ll hang with a community of peasants that don’t really want to break the membrane into the realm of fame and stars in Hollywood. I’ll stay a bard of the earth and sky, in the alley.
“…Hey! Hey! Hey! Hey!
I find comment ’bout my looks irrelativity,
Think I’ll go and have some fun,
‘Cos it’s all for free.
I’m not searching for a reason to enjoy myself…,”
– Yardbirds

Had one of those dreams of being back at the scene of the 1980s. A club morphed into a Golden Voice show! The tight feelings were there of knowing all the bands and the characters and players! Jim Kaa of the Crowd was talking in my ear when brother Gus showed up. We are not talking these days, but in this dream, we approached each other for a forgiving hug when I turned into myself. How I look now.
I asked myself if I had the password to get into the show? I said it does not matter because I am in and not going anywhere!
Lots of guys from bands were roaming around! I was consciously aware enough to dig being back in the middle of things. Running around and being part of what was happening…like everyone else there! My scene, my friends, something to offer and cover! Al approached me; we then were at an adjoining Chinese restaurant. We were shooting the breeze! I was wondering where the bar was ’cause a cold beer sounded good to ease my social tension!
Al Flipside had a new computerized contraption that took pictures, recorded bands, and interviewed bands; ready for documenting the whole scene. All from a large black computer book!
He was on the cutting edge and creative as usual. As we were eating our noodles a band came on! Al said he had to go see about a band. I told him go ahead I will watch over your noodles until you get back!!
I awoke from the dream with a missing feeling of belonging once to a music scene that was overwhelming wild and unpredictable. I was spoiled then! My heart will always mourn those days of youthful rebellion!
Punk Rock Colleague & Historian and Professional Consultant
Hudley Flipside

Connecting up with the mythos of the film/book and theme song made my struggle in the world of rock & roll and journalism seem strangely important. I identified strongly with all of the female characters from Jacqueline Susann’s book.
Where else was I to find women role models in the world I was part of? It was my continuity with the struggle of women reaching out to me from the 1960s.
An echo of a women’s revolution that is often overlooked today.
At the end of the film there is a Valley of The Dolls ending song that is a direct response to the original theme song. The film ends on a positive note for Anne… but this is of course not the case in the novel.
Theme song from Valley of the Dolls and I Say A Little Prayer are songs which speak to an individual woman and to all women. The songs speak to all individuals and to all people who collectively struggle with life and finding their identity in this paradoxical world. Also, a questioning of our humanity for each other and for something beyond us all.
“Ashley St. Ives: You’re a groovy boy. I’d like to strap you on sometime.”
~ Beyond the Valley of the Dolls
The theme song from Valley of The Dolls had a profound meaning for me as a young woman growing up in the underground music scene of Los Angeles. At that time things like records were not easy to find. Before technology came to making things fast there was a time when waiting to see if you could find it was a thrill.
Will I find that old record at a thrift store or will I see that forgotten film on late night TV?
Valley Of The Dolls is a novel by American writer Jacqueline Susann, published in 1966 and the film came out 1967. A quid pro quo for the 1960s.
I read the book, viewed the film, when I could, and found the Scepter 45 vinyl at a thrift store. I engaged it as part of who I was struggling to become as a woman in a male dominate punk rock scene. I played it on a few of my broadcasts. Flipside Fanzine KFJC Radio 1984.

RIP Patty Duke.
Also a great film labeled as a comedy… 1970.
Punk Rock Historian and Professional Consultant
Hudley Flipside.
1984 to 2016…and beyond…LOL
“Hudley.”
“We were mocking the mockery before these guys and the Chili Peppers (who happened to be on the back page of Flipside # 43 that we were on the cover of)! Where do you think they got the idea?”
~ Eric VonArab is with Louie Garcia.
Los Angeles Flipside Fanzine Back Cover Issue 43. August 1984

Life is a type of cosmic mockery.
The creative impulse seems unique and fresh but often is another mockery of sorts. Walking around the mall yesterday with my youngest son I see fashion has now taken that mockery place for me.
A full circle of fashion that copies my youthful generation. What we purchased at thrift stores; straight legs and big shirts and boots; or fancy dresses from my mother’s youthful generation. Sequin dresses low in the front with a jeweled brooch.
My cats and I are mightily routine orientated. My Monday morning shopping is to avoid the crowds. I am often amused by the magazines at the checkout counter.
Today my heart raced a little faster. Not due to the young men on the cover; I prefer the older and wiser, but the overall layout of the design.
I have seen that somewhere before.


https://www.etsy.com/listing/1081684528/red-hot-chili-peppers-rolling-stone-june
Was it in the mid-1980s when I was at my prime that I orchestrated a hand full of punk musicians to pose partially naked for the cover of Los Angeles Flipside Fanzine 43? I try to put it behind me, but life is a type of cosmic mockery. Hilariously and repetitiously so…
“To answer the question where I got the idea: Out of the black. It was just a flash of insight and some youthful individual female power at the time. I told you to take off your clothes, you did, and I took some pictures.”
~ Hudley Flipside
Los Angeles Flipside Fanzine Front Cover Issue 43. August 1984

Punk Rock Colleague & Historian and Professional Consultant
Hudley Flipside
Martin Sprouse and Tim Yohannan (RIP) at the MRR House, 1987
~ maximumrocknroll.com

RIP Tim.
I know that Punk Rock is supposed to hate hippies.
Joe Strummer pissed on The Beatles, but he was once a hippie before he merged into a street punk as well as our friend Tim Yohannan from the ongoing Maximumrocknroll.
I grew up living and experiencing the ‘sixties. I have one older brother who seemed, at one strange time, to be a flower child. Pot unites both. Yet I must say my heart and soul resonate to the punk scene with lots of jazz on the side.
I have often thought that John Fogerty and Colin Abrahall have similar strong singing voices. They hit me the same way with generational differences of course.
Also, Eric Burdon and Keith Morris both have that deep singing tone, of continuity and rebellious style, which turns my blood to a boiling point.
Me like!
Punk rock Memorial Day… this is one of my first presentations and it just happened to be at Whittier college.
I presented this at Whittier College, a place that holds special significance, as it is in celebration of the very roots where Flipside was created and published. Nestled within the little sleepy town of Whittier, California, known as the home of Richard Nixon and once a thriving Quaker farming community, the essence of this town is steeped in history. Underneath the nice façade of this quaint little community were some rebels with a musical cause, fiercely enthusiastic about the sounds that resonated from the underground.
A handful of guys and gals, driven by their love for music, came together to challenge the status quo and creatively made things happen in a unique way, pushing boundaries and inspiring others. Anyhow, this is not just a recollection but the ongoing story of my time served, a lazy yet impactful little folktale about Flipside Fanzine that captures the spirit of a unique era in music and community, where art and rebellion intertwined seamlessly, leaving a lasting legacy that still echoes today.
This is my celebration at Whittier College.
Thanks goes to Jeffrey Gunn and Students who inspired me to present this… and to my children’s children who may want to know what the old woman did when she was a kid. Ha Ha!!
Before using professional software, I relied on PowerPoint for presentations.
Sociology of Punk Rock Presentation
Punk Rock Historian and Professional Consultant
Hudley Flipside

Like a newborn baby it just happens ev’ry day
~ Rolling Stones
One song to the next is still a motivation in my life. Synchronizing past, present, and future dreams.
Joan asked me today,
“If I were at the Mount of Delphi what question would I ask of her, the Pythia?”
My mind went blank or black.
I heard Paint It Black by the Avengers years ago live in a club to the frequency of bouncing youths. A tight crowd of underground nobodies who were wild and unassuming.
The Avengers were fun, intense and no lines drawn between bands and fans.
The first time I saw this band play this song Spaz Attack was vibrating on the ground as I was drooling beer while watching him. My belly was about to pop.
It was all new. Kind of like black…unknown and exciting.
That is this song to me…

Punk Rock Colleague & Historian and Professional Consultant
Hudley Flipside

“What a wicked web we weave /When governments deceive/And I wanna believe……/I gotta believe/Conspiracy theory abound/But the truth is under ground,/I wanna believe I wanna believe/I gotta believe”
~ GBH
I have a suspicion, and I believe that Colin Abrahall wrote the lyrics to the song “I Want to Believe!” I woke up with it on my mind. Also, those “X-Files” feelings got my pineal gland stimulated again. Something is in the air. I can always feel it when Chris Carter is creating by way of the vast unconscious collective of writers. Believe me, I just know. Before big hair Giorgio A. Tsoukalos there were the great big hairdos of GBH!! See how it all comes together here. I am pulling the threads tighter too.

“Scully: Mulder, since we’ve been here you’ve acted as if you’ve expected to find every piece of evidence that we’ve come across. What aren’t you telling me? Why are we here?
Mulder: A true piece of history, Scully. The very first X-File. Initiated by J. Edgar Hoover himself in 1946. ‘ X-Files“
When the X-Files film I Want To Believe came out in 2008 I was thrilled. You have to know that I was a hardcore fan of the 1990s X-Files series throughout the 90s; besides nursing the babe I looked forward to Unsolved Mysteries and then the X-Files on Friday nights.
“We are made of stardust, our whole body consists of material that has been here before the beginning of time.”
~‘Giorgio A. Tsoukalos
Now before the 2008 release of the I want to Believe film we listened to the Ha Ha CD in our car. GBH’s song I Want To Believe, was to me, the perfect new addition to the this film. I put so much anticipation into the song and the film I thought for sure that Mr. Carter would use the song in his film. I was sad when the two songs only came together in my mystical place of belief… but I was projecting it hard onto the movie screen … believe me!!
What does all of this mean… it means something and in time I may understand…. but for now…
“The Electromagnetic Hypothesis of Olfaction” at the Society for Scientific Exploration conclude that insects use a portion of the EM spectrum to communicate.”
‘Pg 207 Lost Star of Myth and Time by Walter Cruttenden


Received this today!
An Oral History of Early San Pedro Punk and more! 1977 – 1985
Yes he did it and here it is in my sweaty hands! Thanks CRAIG IBARRA … Full time at SST Records for nine years!!! Wow!!
Punk Rock Historian and Professional Consultant
Hudley Flipside

They played this song at a punk rock night at the local pub! The bartender was a thorn in my side with his mockery! I was sporting my Target video shirt!
(Target Video (aka TargetVideo77) is a San Francisco-based studio, founded by artist Joe Rees, who collaborating with Jackie Sharp, Jill Hoffman, Sam Edwards and others, archived early art performance, punk and hardcore bands on video and film.)
I tend to be paranoid…I heard the talk in the dark corner above the turn tables! I am a wise gal! I have been around the block and letting guys think they are fooling me amuses me!
Happy that they even took the time ain’t bad news!!
When they were still in diapers…
Sue and I saw Queen live in 1977 at the Long Beach Arena! This song was our theme song! The song was fresh, ours and live!!
Sue and I …will keep on fighting tell the end…best friends!!
Sue and I were graduates of high school and known serial killer survivors!!
1977:
Sue had a job, a new brown Pinto automobile and money to spend! I was not as fortunate! She got me a black & white silky jersey jacket for the Queen show! She was sporting her 5-inch platform tennis shoes at the time! Her shoes were nothing compared to the glitter scene giants that we had to tunnel through at this event! What a massive horror show! The last and only horrendous giant rock show I ever went to besides those at the Olympic Auditorium Golden Voice punk shows of the 1980s!
1977 album News of the World
http://en.wikipedia.org/wiki/Target_Video