Tag Archives: Flipside Fanzine

Dance for Drinks or just dance….

This is an older Flopisde Comic… when life was a lot faster and the night was “always young!” The “Dancing One” was initiated by the ancient worm at the bottom of a bottle. More than that he could not stop dancing. Even Mr. Fuck had a difficult time keeping up with “twinkle toes.”  The “Wild Card” was the man about town. Time to get him dancing again.


A point: So we at Flipside Comics need a kick in the butt too…. the song below is a very silly one and we don’t take it seriously…  it is a ridiculous song. If Mr. Fuck was to take it seriously he would be on the side of the pagans… a crusade of pagans against the Christians. An over all perspective might be the good FLOPSIDE people on a crusade against the Trumpians !!! RAMBO says just dance…

 

THE FUCKING ASSHOLIAN TRUMPIANS !!!!!


around 2011


Live Fast Die Young Happy Happy Mr. John Joseph Lydon

It seems strange now but at 21 I thought life would not go on much longer. We were wild nonconformists ready to take on the status quo. Here we are years later.  Some of us are still creatively pulling strong and talking about our wilder days.

Na, Na, Na, Na, Nooooooo ! !

August 1981: In this interview it was very exciting to talk to a co rebel, music wise. When we did this interview the Flipside crew included Pooch, Al, and myself. Mr. Lydon would see only one for the interview. Al got it. The interview went on for some time. Pooch and I got tiered of waiting in the car. It was a hot summer day in Hollywood. I went in the hotel lobby and walked into the pool area where the interview was taking place They were sitting under a large pool side umbrella. Mr. Lydon saw me. He frowned. I told Al I was sick of waiting!  Pooch and I were thirsty and hungry. Mr. Lydon said,

“Oh, that is just an excuse to see me!”

The interview ended. He walked away. I guess he was 50 percent correct. Jerk!



This post is in celebration of Los Angeles Flipside Fanzine’s 10-year Anniversary Issue 1977 to 1987. which I will be presenting at Curating Resistance: Punk as Archival Method February 9 – 10, 2018 University of California, Los Angeles.

https://cmh.schoolofmusic.ucla.edu/punk-conference-2018


1 – 16 Los Angeles Flipside Fanzine Covers

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Doing some research and writing and thought I would add this to my site… goes well with the other gallery Flipside Fanzine Covers I have up here.


Flipside Issue 1

First Issue issue sold through the mail was to Kristian Hoffman (from the Mumps) ~ Pooch

DATE: August 28, 1977. FORMAT: 8 1/2×7” Xerox PAGES: 20 PRICE: $.25. PRESS RUN 100 STAFF: AL, Lash, Tory, Pooch, X—8.

Flipside Issue 2

DATE: Oct. 1977. FORMAT: Shitty offset, 7×8 1/2″ PAGES:20 PRICE: $.25. PRESS RUN 200 STAFF: AL, Lash, Tory, Pooch, X—8.

Flipside Issue 3

“ART SCHOOL ISSUE”

DATE: Nov. 1977. FORMAT: Xerox, 7×8 1/2″ PAGES: 20 PRICE: $.25. PRESS RUN 100 STAFF: AL, Lash, Tory, Pooch, X-8.

Flipside Issue 4

DATE: Nov. 1977. FORMAT: Offset, 7×8 1/2″ PAGES: 20 PRICE: $.25. PRESS RUN: 300 STAFF: AL, Dean Ded, Larry lash, Pooch, X—8.

Flipside Issue 5

ISSUE # 5 DATES: December 1977. FORMAT: 7×8 1/2″, offset PAGES: 20 PRICE: $.25. PRESS RUN: 300 STAFF: Al, Dean Ded, Larry Lash, Pooch, X—8.

Flipside Issue 6

DATES: January 1978. FORMAT: 7×8 1/2 PAGES: 20 PRICE: $.25. PRESS RUN: 400 STAFF: Al, Dean Ded, Larry Lash, X-8, Pooch.

Flipside Issue 7

DATES: March 1978. FORMAT: 8 1/2×11″ Offset PAGES: 16 PRICE: $.50 PRESS RUN: 400 STAFF: Al, Dean Ded, Larry Lash, Pooch, X—8

Flipside Issue 8

DATES: May 1978. FORMAT: 8 1/2×11″ Offset PAGES: 16 PRICE: $.50 PRESS RUN: 500 STAFF: Al, Pooch, Dean Ded, Lash, Gaby, Pete, X—8

Flipside Issue 9

DATES: August 1978. FORMAT: 8 1/2×11″Offset PAGES: 16 PRICE: $.50 PRESS RUN:500 STAFF: AI, Pooch, X—8, Pete, Gaby

Flipside Issue 10

DATE: November 1978. FORMAT: 8 1/2×11” Offset PAGES: 16 PRICE: $.50 PRESS RUN: 400 STAFF: AI and X—8

Flipside Issue 11

DATES: November 1978. (Flipside Calendar for 1979) FORMAT: 7 1/2×5″, offset PAGES:28 PRICE: $1.00 PRESS RUN:500 STAFF: Al, X-8, Gerard, Gerber

Flipside Issue 12

DATES: January 1979. FORMAT: 8 1/2×11, offset PAGES: 16 PRICE: $.50 PRESS RUN: 500 STAFF: Al, X-8, Angola

Flipside Issue 13

DATES: January 1979. FORMAT: 8‘1/2×11, offset PAGES: 24 _. PRICE: $.75 PRESS RUN: 500 STAFF: AI, X—8, Angola

Flipside Issue 14

DATES: April 1979. FORMAT: 8 1/2×11, offset PRESS RUN: 700 STAFF: Al, Nate, Jill, Paul Problem, Lois, Angola, Gerard, and X—8

Flipside Issue 15

DATES: July 1979. FORMAT: 8 1/2×11, offset PAGES: 24 PRICE: $.75 PRESS RUN: 800 STAFF: Al, Jill, Paul, Angola

Flipside Issue 16

DATE: October 1979. FORMAT: 8 1/2×11, offset PAGES: 24 PRICE: $.75 PRESS RUN: 1000 STAFF: AI, Paul Problem, Jill and Hud (cover)


Denis, Pat and Mike, The PUNK HUB MASTERS

THE PUNK HUB MASTERS

My talk today is a comparison essay about three characters from the early punk rock scene.

A Punk Comrade GHOST Special.

Dennis Danell original bass player for the punk rock band Social Distortion, Pat Fear singer and guitar player extraordinaire of the mockery punk band White Flag, and Mike Conley singer of the popular  punk band MIA. I call them the PUNK HUB MASTERS

To move my essay into the realm of where I am looking from, I will be using a concept from my favorite psychologist Carl Gustav Jung. Now for a short Jungian psychology concept…

“The specific role of the archetype in synchronistic phenomena seems to be to serve as the constellating hub of a situation across time,and to be the factor of [inner order]  that gives this distinctive set to the situation.”

Punk rock is a phenomenon which created a situation of order as a constellating hub. A hub is a focal point a center around which other things revolve from which things radiate. I am applying this concept to the origin of punks and to punk rock…

We were nobodies of the underground, sitting on a youthful explosion, that was a rip-tide of good-fella punk friends. The early individual punks found each other through the hubs we created. Back in the late 70s and throughout the 80s, as you know the punk scene created a network of hubs that worked independently from each other, yet depended on each other to sustain the punk scene.

Examples of hubs were Fanzines such as We Got Power or Flipside Fanzine. Also, every punk band had its own hub. Record labels, music recording studios and record store hubs. The major places to make the scene!  Such as Licorice pizza, ZEDS, Tower Records and Moby Disk Records and our own Whittier Record hub Lovells Records.  Without forgetting the college and underground radio program hubs where the innovative music played. These were the greatest of supportive hubs such as Pat Hoed’s Adam Bomb (KXLU), Stella Stray POP and Rodney on the KOQ.

The major hub that brought us all together was an amazing force know as gigs. The garage to Club 88, the Masque to the Whisky A go go and beyond. Where the fans, bands and promoters met!

The focal point here was the paper flyer. These papers were handed out at gigs. Unique band flyers with local and logo band art. Mostly Xerox copies. Xerox machines a revolutionary major hub for the punk scene.  The US Mail and the ring ring telephone press buttons or circular dial extenuated the positive communication hub…remember? Punks spent a great deal of time alone…creating, practicing, and thinking in our own hubs! Coming together via shows, the phone and the mail.

This is where the hub masters such as Denis, Pat, and Mike were found. They shined there. They masterly brought all the HUBS together. These three punks were genius hub masters. Networking was their punk underground gift and they are authentic examples of the early punk rock phenomenon.

Dennis, Pat, and Mike are a part of the Southern California punk scene. They influenced a generation of fans and often are not known or acknowledged for their influence.

They infected my little hub of a bedroom converted into a fanzine office. I often felt overwhelmed working on Flipside and under a big wave of stuff always about ready to crash. These guys showed me the skills of synchronizing things together. Making it seem easy.

Number one Punk Hub Master: Dennis Danell

I first saw Denis when I was living with my sister in Fullerton Orange County. It was 1978. I was working at a local Dry-Cleaning Business as a cashier. Staffing on Flipside Fanzine on the side. He was riding a sting-ray bike sporting a spike haircut. At that time is was unique. We were speaking the same language. I looked similar with my partial shaved hairdo with orange hair color. A year later we met at the scene and become friends.

Dennis taught me loyalty of friendship. I witnessed his expansive heart that made his band stay tight. This is the work of the hub master. Denis still visits me in my dreams. Always polite, honest, and his happy Dizzy self. He had the ability of synchronizing punks together in a charming way. He will not ever be taken for granted. He was at the right place at the right time.

I will read some quotes from Flipside 20 A Social Distortion interview. I feel these short quotes embrace his character.

“Denis: We wanna sound like no one else, We wanna sound like us!!”

“Denis: Tommie’s chilly burgers. I ate one of those and didn’t have to eat for 2 days and I was shitting for 3 weeks!”

Second Hub Master: Pat Fear.

As you know Pat was a force to deal with. He lived in Riverside which was not far from Whittier Ca where Flipside Fanzine was based. Flipside put out a few music vinyl fanzines on Flipside / Gasatanka Records.

Pat was the hub master and helped bring it all other. Was it only a few years ago I argued on Facebook about his hate for Sahara Palin? I would ask him to slow down and redirect his energy. White Flag played a show with the Simpletons around 2008. They played a Saints Song, Demolition Girl. A nice dedication to me. Yet that was Pat… he always tried to make his friends happy. He was humorous in an irritating and funny way. He had the gift of inclusion. He is a constellating hub across time which brings us all here together today.

I will read some quotes by White Flag Tape 6 Flipside Music Fanzine. I will try to read them the way White Flag said them. Pat Fear’s high degree of sarcasm.

This is a White Flag moment.

“What is the purpose of White Flag?”

“To create an illusion of creativity. Because we are too good to be believed.”

“White Flag is a band that’s done everything done before… but better.” “There are two kinds of people in the world, people who are in White Flag and all those who wish they were.”

“White Flag is more than just a band it is a concept of how to live your life.”

“We look like women, talk like men, and play like mother fuckers. (twisted sister quote.)”

Pat wrote a theme song for our video fanzines. I’d like to share a short description from our catalog describing the beginning of Flipside Video Number Two,

“Now if you want to see the good old video monster in action you just got to catch this video. So, if you get it, and put it in your VCR, you might just die. Because the opening Flipside Video Number Two is the band White Flag. Gutsy and pure, Pat Fear will knock your block off while he plays guitar for the opening theme song called “Flipside” with backup singers including some Redd Kross members and one Bangle member …”

Third Hub Master: Mike Conley

Mike originally came from Las Vegas and then stationed his band MIA in the Orange County beach area. He brought punks tighter together. He did this at parties, gigs or at the Flipside House. He could wheel and deal the punk zone. Back stage Mike would make me laugh. He would follow me around saying,

“Want a cocktail, Hudley,” while rolling his eyes round and around. Just like Groucho Marx.

In 2008 when editing my memoirs about the punk scene I came across some Mike comments in a Flipside Fanzine Interview with his band. Unbelievably I received a call at that moment from Nike Adams, a member of MIA, telling me of Mike’s demise.   A week later at his funeral his oldest daughter told us a short story.

She said that when they were traveling in his car her dad always had the music on too loud. She told him he could use head phones like everyone else. He never did. That’s punk.

I will now read another short quote from my Punk@lullby Journal Number Four.

From the Pogo to the Slam Pit

Recently, at a benefit show for the passing of Mike Conley of M.I.A., a slam pit broke out at the Detroit bar in Costa Mesa. After about 19 years my natural feelings of irritation and perspiration filled with moisture above my brow. In the past, the slam pit became a testosterone-filled ring of jock bodies circling round and round before the stage. Bouncers and bands tried to control it.  They could not stop this wildfire. I grew to hate it. Yet, the recent show again proved me wrong. There were some women but mostly men dancing around having a great time. Yes, their firm bodies now had become a little soft around the edges, as one middle-aged guy stopped and said to me, as if Mike Conley for one moment materialized,

“…enjoy this moment, it is the best time of your life!”

This guy was beaming with youthful glee.

Flipside produced one of MIA’s albums entitled After the Fact. I will read lyrics from a song that Mike wrote. A Quote from the Song, Whisper in the Wind,

“In my eyes you’ll see a thousand memories He said stare into my soul All of me you shall know Live your life full, live your life free, Tomorrow’s but a vision, Yesterday is a dream…”

Mike had the quality of inner order. A quality of depth and control that was not always easy to access.

This concludes my essay on three punk rockers of the early Southern California Punk Scene. The Denis, Pat and Mike I knew were extraordinary. They were our friends!

They are the Punk Hub Masters!


(I presented this at Pat Fear and Other Stories~ December 3, 2017 )


For more punk rock reading pleasure you can buy my DIY Punk@lullaby Journals One through Four at the link below. 

https://hudleyflipside.com/my-shop-get-my-weird-stuff-here/

 

 

 

 

PUNK@LULLBY DIY Journals one-four.


My Punk@lullaby Journal One

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8 1/2 by 5 1/2 Booklet. Beginning Journal of a punk rock chick from the San Fernando Valley who became a co-editor and publisher of the underground punk Los Angeles Flipside Fanzine 1979 to 1989.


My Punk@lullaby Journal Two   $6.00

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8 1/2 by 5 1/2 Booklet. The continuing memories of the early punk scene as well as Hudley’s life and adventures. The next journal three will be out in Mid-April 2017.


My Punk@lullaby Journal Three  $6.00

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8 1/2 by 5 1/2 Booklet. The continuing memories of the early punk scene as well as Hudley’s life and adventures. Drugs and foolish love Issue. More to come out…


My Punk@lullby Journal Four

$6.00
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8 1/2 by 5 1/2 Booklet. The continuing memories of the early punk scene as well as Hudley’s life and adventures. The tape recorder Issue. I dedicate this issue to the one and only tape recorder we used at Los Angeles Flipside Fanzine. On the cover is one of my favorite pics of the early punk scene with Subhumans (Canadian Band) and Samoans. Greg Turner, Metal Mike, Wimpy, Hud, Gary and Jim. I am holding Flipside’s tape recorder. Picture by Al Flipside.

The last journal


Stop being a sap !

There are lots of pros and cons about the past solar eclipse. I think it is cool. I did not go to see it. There are plenty of beautiful images online to see. I can think of eclipses in my life though. One of them was Joe Strummer. His voice had an eclipse on my feelings as a youngster. As for many others, he changed our lives! Their first 1977 LP The Clash pushed all the right bottoms and was special for many underground characters. His voice woke me from my slumber. I experienced them at the Santa Monica Civic on their first US tour, Wow!

It has been forty years and he still moves through my heart. All those feelings; to be authentic, real, and alive. To create things uniquely and roughly with your own hands. Forty years of punk rock and I completed my four Punk@lullabys ! My Big celebration! I reached my goal and it worked out as I planned.

It feels good to know that my celebration is more an inward accomplishment for a punk ideology that still pulls through my heart as Joe still does.


Happy 40 years!

I am happy!
Happy Birthday Joe.
Thank you!

 

https://hudleyflipside.com/my-shop-get-my-weird-stuff-here/

Publications for reading pleasure…

Solar eclipse of August 21, 2017 Celebration

 I hope you enjoy the coming eclipse.  If you are already there or travel the journey to get there…If you need some reading material while waiting or after it is over and back to normal life… here is my stuff for your reading pleasure….

here is some eclipse music….

My Stuff….

https://hudleyflipside.com/my-shop-get-my-weird-stuff-here/

http://www.eclipse2017.org/

Slash and Flipside on ROQ late 1970s

“Records…..Records….and Records!!!!!” ~ Mike Vallejo

If you lived as a teen in the late ’70s or during the ’80s you were most likely riding the original wave or skating the rebellious cement of the original punk rock scene in some way, shape or form. Mike sent me a CD in the mail, like the good old days, of an early interview with Slash Magazine and Flipside Fanzine on Rodney on the ROQ. I am airing it again today. Mike said it was ok to post this on my blog.

001

From the Flipside 10 Year Anniversary issue.

Mike sells more than just records and seems to have a lot of music and things that document the early punk scene. I also purchased a CD from him of The Jam playing the Whisky A Go Go. A thrill for me to find. I am delighted to receive this CD. My mentors speak! I was most likely listening to this on my parents’ old WW II German Telefunken radio. WOW! Enjoy and thanks Mike Vallejo! A friend indeed.

The last audio 7 ends abruptly. I wrote a letter to Kickboy-face after hearing this live back when it was on the air.  He wrote back a week later. Also I danced with him at the Whisky A Go Go live to Madness.  It is strange but this captures pre Elks Lodge Riot... we all know how that turned out!!

X-8 001

X-8 Our Trip to San Francisco ’79. photo by Peter Landswick

Rodney on the ROQ Los Angeles Flipside Fanzine and Slash Magazine (KROQ)

I know that the nasty Slash characters played a song trick or two on Rodney… did you catch it… an utmost synchronicity for me…

Ultimate conclusion !

My Punk@lullaby Journal Three

“My Punkalullaby is incredibly brave journal about the early days of Flipside, High School, discovering Nirvana, and the LA punk scene. Many of the stories about the LA scene have been told repeated ad nauseam, but Hudley has a unique perspective on what happened and what it was like.”

~ Steve Hart, New Wave Chicken Magazine

Out today! Take off where the last one left off. The journey continues… this is the drugs and foolish love issue.

My Shop

https://hudleyflipside.com/my-shop-get-my-weird-stuff-here/

We Need More Power!!

“Hi, it’s another year and you asked for it, here it is, RODNEY ON THE ROQ VOLUME 2. ALL of the bands that you hear every weekend on my show as broadcast on KROQ FM in Pasadena California” ~ Rodney Bingenheimer

What a time we are living in. Forty years of Punk Rock now in museums, a political civil war in the United States and the need to find the meaning of life. Well, back in the day our youthful ways confronted many of these issues with foresight, intuition, rebellion, and music.

I want to share Flipside Fanzine Issue 28 for those that may not have viewed it. Maybe you have the vinyl but never got the insert that Flipside did for this compilation. Most of the insert information was taken from interviews and pictures form other Flipside Fanzines. It has the Flipside Fanzine look and is branded such.

You can do an, “I Spy.” You will notice persons that are still with us and others that are not. Yet, it is an amazing documentation of a growing punk rock scene. Flipside provided a service to that scene.

Ok, I did not burn all the stuff I have with me either, it sets in my special closet with the rest of my art stuff and projects completed, or on the ways to creation. I love working on projects.

At that time working with Posh Boy Records and Rodney was just another way to promote the punk scene that I loved. I still love it and continue to be amazed by that time and place in our Los Angeles punk rock history.

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