Amazingly we are still alive. Punk Rock Bowling with the celebration of 40 Years of the Circle Jerks and Charged GBH this spring. I am besides myself with joy to be attending. Yes, all the bands seem interesting, yet my history also includes Madness. When I was a 19-year-old punk I was looking for a 45 by Prince Buster entitled Madness. This stirred me on a strange journey to a Los Angeles record store. They never could locate that 45 for me. Then the band came touring. At least the name of the band was right. Playing the Whisky A Go Go. I remember dancing to the band with Kick Boy Face from SLASH MAGAZINE (my first Punk Rock correspondence.) (Slosh and Flopside) It was grand beyond grand. Imagine it all coming together again.
Punk Rock Bowling 2020
Some of my best punk memories.
Ross’s bass guitar case. GBH 1980s
I am standing in this image next to Ross’s first bass guitar case. He gave it to me. He bought a new one. I lost it. Yet, my mom had put it in a special place. After her death we cleaned out the basement and their it was. How happy that mom preserved some wonderful punk history. I still have it and will give it “will it” to my sons. I love it like punk rock. I hope I am not sucking on Ross’s “tits” when I say I love him too. Thanks for thinking of me back then. All the best and looking forward to Las Vegas for a week of punk and beyond bliss.
It is complete. My Punkalullaby. I coined the term Punkalullaby in the mid 1980s. I had a little creative section in Los Angeles Flipside Fanzine where I included fictional stories and later came the poetry.
The history of getting this book published is a long one. First I published it like a fanzine, In my little home computer publishing room. I sold them through Paypal. I also sold them at speaking events. During this time, before and after, I approached four publishers, talked to other punks and had the help from a master editor. Yet the only thing I got from publishers were comments like,
“It has to be action packed filled with excitement!”
One Santa Monica publisher declined me. Years later this same publisher wanted to include my story in a hodgepodge of other punk women. No offer of royalties or compensation either. Written by a woman that had no experience with the punk scene at all. She turned out to be the usual user. Yes, I have met a lot of them over the years too.
So, I finally figured it out for myself. The punk or Flipside Fanzine way. We never asked for help in how or what we published. We did it ourselves and in our own way. So, my punk opus is completed the punk Flipside Fanzine way.
My Punkalullaby does not countian action ball packed adventure or embellished fictions. The truth is that for me the punk scene was about supporting a growing punk scene. I did this with my whole heart. It was a great deal of work prompting a scene. I did not love every second of it, but I did learn a lot of skills along the way. Made some good long-time buddies and lost a few as well.
My Punkalullaby is a story about a young punk rocker who co-edited and published a fanzine called Los Angeles Flipside Fanzine. Hudley Flipside is a pivotal character a motif of that early punk scene.
It was a scene that I still look for although it is not there anymore. It echoes in me as a constant call. Hopefully finishing this book will help that haunting call to wane away.
Cheers to twenty years of Los Angeles Flipside Fanzine and to the underground growing punk scene. This is my ten years about it 1979 to 1989.
To Pooch, Nate, Kat, Keith and others for your encouragement and support… you know who you are! My loving family included! John, Johnfred~ Sara and family, and Shayne.
Charged GBH early 1980 Los Angeles Flipside Fanzine Picture… at hotel near the pool.
This post has to do with Los Angeles Flipside Fanzine. Yawn, it has been a long time since I was co-owner and editor of this fanzine, RIP. Yet I also worked with a crew of supporters and contributors then. The last thirty years people have come out with books and documentaries about the early punk scene. That is great. They ask me if they can use stuff from Flipside. Images, videos, music and my KFJC DJ tapes. I usually say OK. Just say courtesy of Hudley Flipside. Only twice have I signed something to be used. Once in a picture, and once in documentary. The times I signed legal papers is when I had a personal connection with the creation of an item. For example, a picture I took. I did risk one or two items due to the direct connection as part of a KFJC Tape that I recorded. My creation. Otherwise I do not have the authority to sign for random things from Flipside for creative projects. I speak only for the 1980s. Maybe if Al Flipside and I and all contributors got together and had a pow-wow and decided to sign some sort of legal documents for people to use Flipside stuff that would be a very happy moment. This is not the case. The truth be told, there is a lot of Los Angeles Flipside Fanzine stuff on-line for the taking. Ripped up good. So, stop the gossiping and false assumptions out there. If you use Flipside stuff proceed at your own risk. Don’t ask little old me to sign anything… my loyalty lies with those I worked with.
This is an older Flopisde Comic… when life was a lot faster and the night was “always young!” The “Dancing One” was initiated by the ancient worm at the bottom of a bottle. More than that he could not stop dancing. Even Mr. Fuck had a difficult time keeping up with “twinkle toes.” The “Wild Card” was the man about town. Time to get him dancing again.
A point: So we at Flipside Comics need a kick in the butt too…. the song below is a very silly one and we don’t take it seriously… it is a ridiculous song. If Mr. Fuck was to take it seriously he would be on the side of the pagans… a crusade of pagans against the Christians. An over all perspective might be the good FLOPSIDE people on a crusade against the Trumpians !!! RAMBO says just dance…
It seems strange now but at 21 I thought life would not go on much longer. We were wild nonconformists ready to take on the status quo. Here we are years later. Some of us are still creatively pulling strong and talking about our wilder days.
Na, Na, Na, Na, Nooooooo ! !
August 1981: In this interview it was very exciting to talk to a co rebel, music wise. When we did this interview the Flipside crew included Pooch, Al, and myself. Mr. Lydon would see only one for the interview. Al got it. The interview went on for some time. Pooch and I got tiered of waiting in the car. It was a hot summer day in Hollywood. I went in the hotel lobby and walked into the pool area where the interview was taking place They were sitting under a large pool side umbrella. Mr. Lydon saw me. He frowned. I told Al I was sick of waiting! Pooch and I were thirsty and hungry. Mr. Lydon said,
“Oh, that is just an excuse to see me!”
The interview ended. He walked away. I guess he was 50 percent correct. Jerk!
This post is in celebration of Los Angeles Flipside Fanzine’s 10-year Anniversary Issue 1977 to 1987. which I will be presenting at Curating Resistance: Punk as Archival Method February 9 – 10, 2018 University of California, Los Angeles.
My talk today is a comparison essay about three characters from the early punk rock scene.
A Punk Comrade GHOST Special.
Dennis Danell original bass player for the punk rock band Social Distortion, Pat Fear singer and guitar player extraordinaire of the mockery punk band White Flag, and Mike Conley singer of the popular punk band MIA. I call them the PUNK HUB MASTERS
To move my essay into the realm of where I am looking from, I will be using a concept from my favorite psychologist Carl Gustav Jung. Now for a short Jungian psychology concept…
“The specific role of the archetype in synchronistic phenomena seems to be to serve as the constellating hub of a situation across time,and to be the factor of [inner order] that gives this distinctive set to the situation.”
Punk rock is a phenomenon which created a situation of order as a constellating hub. A hub is a focal point a center around which other things revolve from which things radiate. I am applying this concept to the origin of punks and to punk rock…
We were nobodies of the underground, sitting on a youthful explosion, that was a rip-tide of good-fella punk friends. The early individual punks found each other through the hubs we created. Back in the late 70s and throughout the 80s, as you know the punk scene created a network of hubs that worked independently from each other, yet depended on each other to sustain the punk scene.
Examples of hubs were Fanzines such as We Got Poweror Flipside Fanzine. Also, every punk band had its own hub. Record labels, music recording studios and record store hubs. The major places to make the scene! Such as Licorice pizza, ZEDS, Tower Records and Moby Disk Records and our own Whittier Record hub Lovells Records. Without forgetting the college and underground radio program hubs where the innovative music played. These were the greatest of supportive hubs such as Pat Hoed’s Adam Bomb (KXLU), Stella Stray POP and Rodney on the KOQ.
The major hub that brought us all together was an amazing force know as gigs. The garage to Club 88, the Masque to the Whisky A go go and beyond. Where the fans, bands and promoters met!
The focal point here was the paper flyer. These papers were handed out at gigs. Unique band flyers with local and logo band art. Mostly Xerox copies. Xerox machines a revolutionary major hub for the punk scene. The US Mail and the ring ring telephone press buttons or circular dial extenuated the positive communication hub…remember? Punks spent a great deal of time alone…creating, practicing, and thinking in our own hubs! Coming together via shows, the phone and the mail.
This is where the hub masters such as Denis, Pat, and Mike were found. They shined there. They masterly brought all the HUBS together. These three punks were genius hub masters. Networking was their punk underground gift and they are authentic examples of the early punk rock phenomenon.
Dennis, Pat, and Mike are a part of the Southern California punk scene. They influenced a generation of fans and often are not known or acknowledged for their influence.
They infected my little hub of a bedroom converted into a fanzine office. I often felt overwhelmed working on Flipside and under a big wave of stuff always about ready to crash. These guys showed me the skills of synchronizing things together. Making it seem easy.
Number one Punk Hub Master: Dennis Danell
I first saw Denis when I was living with my sister in Fullerton Orange County. It was 1978. I was working at a local Dry-Cleaning Business as a cashier. Staffing on Flipside Fanzine on the side. He was riding a sting-ray bike sporting a spike haircut. At that time is was unique. We were speaking the same language. I looked similar with my partial shaved hairdo with orange hair color. A year later we met at the scene and become friends.
Dennis taught me loyalty of friendship. I witnessed his expansive heart that made his band stay tight. This is the work of the hub master. Denis still visits me in my dreams. Always polite, honest, and his happy Dizzy self. He had the ability of synchronizing punks together in a charming way. He will not ever be taken for granted. He was at the right place at the right time.
I will read some quotes from Flipside 20 A Social Distortion interview. I feel these short quotes embrace his character.
“Denis: We wanna sound like no one else, We wanna sound like us!!”
“Denis: Tommie’s chilly burgers. I ate one of those and didn’t have to eat for 2 days and I was shitting for 3 weeks!”
Second Hub Master: Pat Fear.
As you know Pat was a force to deal with. He lived in Riverside which was not far from Whittier Ca where Flipside Fanzine was based. Flipside put out a few music vinyl fanzines on Flipside / Gasatanka Records.
Pat was the hub master and helped bring it all other. Was it only a few years ago I argued on Facebook about his hate for Sahara Palin? I would ask him to slow down and redirect his energy. White Flag played a show with the Simpletons around 2008. They played a Saints Song, Demolition Girl. A nice dedication to me. Yet that was Pat… he always tried to make his friends happy. He was humorous in an irritating and funny way. He had the gift of inclusion. He is a constellating hub across time which brings us all here together today.
I will read some quotes by White Flag Tape 6 Flipside Music Fanzine. I will try to read them the way White Flag said them. Pat Fear’s high degree of sarcasm.
This is a White Flag moment.
“What is the purpose of White Flag?”
“To create an illusion of creativity. Because we are too good to be believed.”
“White Flag is a band that’s done everything done before… but better.” “There are two kinds of people in the world, people who are in White Flag and all those who wish they were.”
“White Flag is more than just a band it is a concept of how to live your life.”
“We look like women, talk like men, and play like mother fuckers. (twisted sister quote.)”
Pat wrote a theme song for our video fanzines. I’d like to share a short description from our catalog describing the beginning of Flipside Video Number Two,
“Now if you want to see the good old video monster in action you just got to catch this video. So, if you get it, and put it in your VCR, you might just die. Because the opening Flipside Video Number Two is the band White Flag. Gutsy and pure, Pat Fear will knock your block off while he plays guitar for the opening theme song called “Flipside” with backup singers including some Redd Kross members and one Bangle member …”
Third Hub Master: Mike Conley
Mike originally came from Las Vegas and then stationed his band MIA in the Orange County beach area. He brought punks tighter together. He did this at parties, gigs or at the Flipside House. He could wheel and deal the punk zone. Back stage Mike would make me laugh. He would follow me around saying,
“Want a cocktail, Hudley,” while rolling his eyes round and around. Just like Groucho Marx.
In 2008 when editing my memoirs about the punk scene I came across some Mike comments in a Flipside Fanzine Interview with his band. Unbelievably I received a call at that moment from Nike Adams, a member of MIA, telling me of Mike’s demise. A week later at his funeral his oldest daughter told us a short story.
She said that when they were traveling in his car her dad always had the music on too loud. She told him he could use head phones like everyone else. He never did. That’s punk.
I will now read another short quote from my Punk@lullby Journal Number Four.
From the Pogo to the Slam Pit
Recently, at a benefit show for the passing of Mike Conley of M.I.A., a slam pit broke out at the Detroit bar in Costa Mesa. After about 19 years my natural feelings of irritation and perspiration filled with moisture above my brow. In the past, the slam pit became a testosterone-filled ring of jock bodies circling round and round before the stage. Bouncers and bands tried to control it. They could not stop this wildfire. I grew to hate it. Yet, the recent show again proved me wrong. There were some women but mostly men dancing around having a great time. Yes, their firm bodies now had become a little soft around the edges, as one middle-aged guy stopped and said to me, as if Mike Conley for one moment materialized,
“…enjoy this moment, it is the best time of your life!”
This guy was beaming with youthful glee.
Flipside produced one of MIA’s albums entitled After the Fact. I will read lyrics from a song that Mike wrote. A Quote from the Song, Whisper in the Wind,
“In my eyes you’ll see a thousand memories He said stare into my soul All of me you shall know Live your life full, live your life free, Tomorrow’s but a vision, Yesterday is a dream…”
Mike had the quality of inner order. A quality of depth and control that was not always easy to access.
This concludes my essay on three punk rockers of the early Southern California Punk Scene. The Denis, Pat and Mike I knew were extraordinary. They were our friends!
They are the Punk Hub Masters!
(I presented this at Pat Fear and Other Stories~ December 3, 2017 )
There are lots of pros and cons about the past solar eclipse. I think it is cool. I did not go to see it. There are plenty of beautiful images online to see. I can think of eclipses in my life though. One of them was Joe Strummer. His voice had an eclipse on my feelings as a youngster. As for many others, he changed our lives! Their first 1977 LP The Clash pushed all the right bottoms and was special for many underground characters. His voice woke me from my slumber. I experienced them at the Santa Monica Civic on their first US tour, Wow!
It has been forty years and he still moves through my heart. All those feelings; to be authentic, real, and alive. To create things uniquely and roughly with your own hands. Forty years of punk rock and I completed my four Punk@lullabys ! My Big celebration! I reached my goal and it worked out as I planned.
It feels good to know that my celebration is more an inward accomplishment for a punk ideology that still pulls through my heart as Joe still does.
I hope you enjoy the coming eclipse. If you are already there or travel the journey to get there…If you need some reading material while waiting or after it is over and back to normal life… here is my stuff for your reading pleasure….
“Records…..Records….and Records!!!!!” ~ Mike Vallejo
If you lived as a teen in the late ’70s or during the ’80s you were most likely riding the original wave or skating the rebellious cement of the original punk rock scene in some way, shape or form. Mike sent me a CD in the mail, like the good old days, of an early interview with Slash Magazine and Flipside Fanzine on Rodney on the ROQ. I am airing it again today. Mike said it was ok to post this on my blog.
From the Flipside 10 Year Anniversary issue.
Mike sells more than just records and seems to have a lot of music and things that document the early punk scene. I also purchased a CD from him of The Jam playing the Whisky A Go Go. A thrill for me to find. I am delighted to receive this CD. My mentors speak! I was most likely listening to this on my parents’ old WW II German Telefunken radio. WOW! Enjoy and thanks Mike Vallejo! A friend indeed.
The last audio 7 ends abruptly. I wrote a letter to Kickboy-face after hearing this live back when it was on the air. He wrote back a week later. Also I danced with him at the Whisky A Go Go live to Madness. It is strange but this captures pre Elks Lodge Riot... we all know how that turned out!!
X-8- A Flipside Crew Trip to San Francisco ’79. photo by Peter Landswick (AL, Hud, Pete and X-8)
Rodney on the ROQ Los Angeles Flipside Fanzine and Slash Magazine (KROQ)
I know that the nasty Slash characters played a song trick or two on Rodney… did you catch it… an utmost synchronicity for me…
Embrace the patina, Los Angeles Flipside Fanzine Ten Year Anniversary Issue # 54 (replica) Paperback, preserved for now and future generations to come. Before American Hardcore, book and film, is the real deal historic look at Punk Rock. Los Angeles Flipside Fanzine Ten Year Anniversary Issue # 54 (replica) Paperback. 1977 to 1987. Punks documenting punks! It is the history of the early Los Angeles scene, Orange County explosion and early English Golden Voice invitation to the USA and beyond scenes. Promoters, bands, fans and advertising, current from the time of issue # 54 Flipside Fanzine’s original publication. Most importantly are the original voices of punk rock at their most unique and explosive period. For sale and available courtesy of The Seminary Of Praying Mantis Publishing.
Youngest son said, “I think you write because you have something to prove.” I responded, “I just like to write.” Yet he was nicely persistent. “No, I think you have something to prove!” I was not going to conflict his 18-year-old wisdom. He is wise. “I guess I did write my stories now in eBook and paperback formats. I suppose I did prove something?!”
Stop thinking about art works as objects, and start thinking about them as triggers for experiences. (Roy Ascott’s phrase.) That solves a lot of problems: we don’t have to argue whether photographs are art, or whether performances are art, or whether Carl Andre’s bricks or Andrew Serranos’s piss or Little Richard’s ‘Long Tall Sally’ are art, because we say, ‘Art is something that happens, a process, not a quality, and all sorts of things can make it happen.’ … [W]hat makes a work of art ‘good’ for you is not something that is already ‘inside’ it, but something that happens inside you — so the value of the work lies in the degree to which it can help you have the kind of experience that you call art.
~ Brian Eno
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Agathos Daimon, the Good or Rich Spirit”.[7][8] His numinous presence could be represented in art as a serpent or more concretely as a young man bearing a cornucopia and a bowl in one hand, and a poppy and an ear of grain in the other.[7] The agathodaemon was later adapted into a general daemon of fortuna, particularly of the continued abundance of a family’s good food and drink.[citation needed]
“Scientists know that electromagnetic waves carry information. Radio waves are a common example of how information is sent out via electromagnetic waves. The waves that your heart and brain generate carry information that is sent through your body and out into the space around you, just like a radio transmitter. Yet the heart’s signals have much more power.” – The HeartMath Story, as Told by Founder Doc Childre
I’ve heard it said that the soul doesn’t live inside our body but that it is more like a womb in which we are contained.
Turner, Toko-pa. Belonging: Remembering Ourselves home (Kindle Locations 2739-2740). Her Own Room Press. Kindle Edition.
“This disco guy wanted funk in our sound with 10,000 backing vocals, the guy laughed at Tony when he tried to sing, they treated us like shit. Casey wanted to hit that engineer dick…Posh Boy told us not to play games with him, he’d play games with us. That engineer was a real dick.”
~ Steve Soto ADOLESCENTS
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In our over psychological culture, psychological testing substitutes for this seasoned eye and prevents its development. Instead of looking, we test; instead of imaginative insight, we read write-ups; instead of interviews, inventories; instead of stories, scores. Psychology assumes it can get at character by probing motivations, reaction responses, choices, and projections. It uses concepts and numbers to access the soul, rather than relying on the anomalous eye of a practiced observer.
Hillman, James. The Force of Character: And the Lasting Life (Kindle Locations 844-847). Random House Publishing Group. Kindle Edition.
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It is the prime task of a truly modern mind to endure both the spiritual and the practical as the framework for her life.
Mysterious in day’s broad light,
Nature retains her veil, despite our imprecations,
and what she won’t reveal to human mind or sight
levers, screws or hammers
cannot wrench from her. ~ Goethe
Faust part 1
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Writing has laws of perspective, of light and shade just as painting does, or music. If you are born knowing them, fine. If not, learn them. Then rearrange the rules to suit yourself.
~Truman Capote
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“And just as the soul that is inside your dust.”
~ Pg 8 The Divine Comedy ~ Dante
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“I always liked the intensity of the recording.”
~ Chris Bailey from the band The Saints
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“Sometimes people try and tell me what is and isn’t punk, or that GBH do or don’t fit in, but they’re generally no older than my socks, and they know about as much. I’ve lived my life doing what I want the way I want to ever since I got expelled from school. Ever since 1977….That’s punk rock”
~ Ross Lomas: From his Book City Baby.
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“As I was walking among the fires of Hell,
delighted with the enjoyments of Genius;
which to Angels look like torment and insanity.
I collected some of their Proverbs. ”
~ William Blake, “The Marriage of Heaven and Hell”, 1790
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Please if you take anything from this site please tag hudleyflipside.com as the source of this material. NOTICE this is all copyright material Hudley Flipside (aka Hud) and Hudley Mantis…. most importantly ‘Hudley’ is the pen name and pseudonym created by (me) Holly Duval Cornell.
